A Quote by Deepti Naval

Autobiographies give you the picture of the person behind the image on screen, because that's never really you. — © Deepti Naval
Autobiographies give you the picture of the person behind the image on screen, because that's never really you.
There's a simplicity in typography that demands absolute accuracy... the only way you can experience it is by doing it, and you can't do it on a screen because a screen never gives you the entire picture.
Mirrors are there when we are and yet they never give anything back to us but our own image. Never, never shall we know what they are when they are alone or what is behind them.
I am opposed to autobiographies, mainly because most autobiographies lie.
The Real is ever-present, like the screen on which the cinematographic pictures move. While the picture appears on it, the screen remains invisible. Stop the picture, and the screen will become clear. All thoughts and events are merely pictures moving on the screen of Pure Consciousness, which alone is real.
Who doesn't have a dark place somewhere inside him that comes out sometimes when he's looking in a mirror? Dark and light, we are all made out of shadows like the shapes on a motion-picture screen. A lot of people think that the function of the projector is to throw light on the screen, just as the function of the story-teller is to stop fooling around and simply tell what happened, but the dark places must be there too, because without the dark places there would be no image and the figure on the screen would not exist.
Making a movie like 'Felony' is hard work because you're really putting your own ideas on the screen. You can't hide behind some other person's script; you're saying, 'This is my brain, and I want you to know what I think'.'
Sometimes it's more generous to take than give, he said. "How?" Caroline asked. "To let the other person give you what he has to offer. If you're always the one giving, you never have to feel disappointed, because you don't expect anything in return. But it's miserly in its own way. Because you never leave yourself open or give the other person a chance.
You've seen every single race besmirched, but you never saw an unfavorable image of a kike because the Jews are ever watchful for that. They never allowed it to be shown on the screen!
I make very proper clothes. But I was never that person. For a long time, I thought that was the image I needed to have for my brand. And I thought that's the person that I needed to be. Because it gave me a distinct image that no one can deny.
People always want to get behind the image on the screen, and I'm not sure there is one. I don't put on an act.
We know that behind every image revealed there is another image more faithful to reality, and in the back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see.
People feel so much more comfortable bullying behind a screen than in person. It gives them a mystique and makes them say things that they would never be strong enough to say in person.
The image itself is kind of the least important factor to me, though I'm still interested in putting forth an interesting image. I see the image as the screen laid over top of what really interests me, which is that depth of surface and that filmic quality that it has when you pass the piece. The idea that my pieces look like paintings, but are most definitely not, is really interesting to me.
Never confuse the person, formed in the image of God, with the evil that is in him: because evil is but a chance misfortune, an illness, a devilish reverie. But the very essence of the person is the image of God, and this remains in him despite every disfigurement.
'2001' used a lot of what's called 'front projection.' You project an image onto this giant reflective screen, and the image bounces back and comes back to the lens and seems to be in the background behind the actors. The whole 'dawn of man' sequence in '2001' was projected eight-by-ten photographs of the African savannah.
Looking back at old-school pictures, I never had a hair or makeup person. I wasn't required to wear a lot of hair and makeup. I was never really allowed to do that because it was the image.
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