A Quote by Deepti Naval

I've had a weakness for Bengali directors, be it Rituparno Ghosh, Aparna Sen, or Goutam Ghose, because of their sensitivity towards cinema. — © Deepti Naval
I've had a weakness for Bengali directors, be it Rituparno Ghosh, Aparna Sen, or Goutam Ghose, because of their sensitivity towards cinema.
Commercial Bengali movies are all crass imitation of Telugu and Tamil movies. There are only a handful of directors like Rituparno Ghosh, Aparna Sen and Gautam Ghose who make quality films.
It took me a while to figure out what kind of work I needed to do. I worked with directors like Aparna Sen and Rituparno Ghosh. I wanted to do interesting roles.
Rituparno Ghosh and Bharathirajaa are two directors who were born to direct.They can make even a stone act.
It's okay to do a small role in mainstream cinema like 'Aurangzeb' or 'Yaariyan.' But it's films like Rituparno Ghosh's 'Memories Of March' and Avinash Kumar Singh's 'Listen Amaya' that sustain me as an actress.
I am 100-films old. In my heyday, I have done a lot of commercial films, including dancing around the trees with the heroine. But after working with Rituparno Ghosh, my understanding of cinema changed. Whatever good I am doing, it is because of him. If I am being called a good actor, it is only because of him.
Rituparno Ghosh was one of the finest filmmakers of India; I had seen his films 'Raincoat' and 'Chokher Bali' and I had always admired his body of work.
Rituparno Ghosh is a legendary director, and I happen to be a huge fan of his.
There is a host of directors - Sujoy Ghosh, Neeraj Pandey, Ashutosh Gowariker, Madhur Bhandarkar, Mani Ratnam and so on - who make some great cinema. I would like to work with them all.
I love Aparna Sen. I've watched '36 Chowringhee Lane' too many times to count.
I always enjoy working with Aparna Sen. She is a dedicated and talented actress, writer, director.
I have known Aparna Sen for many years. We worked together in her film '15 Park Avenue' which was in English.
The most interesting part of IIFA is that I get to meet filmmakers from India. I just attended a symposium on Satyajit Ray with Rituparno Ghosh and others. It was just so satisfying
Everywhere I go today, people talk about Bengali cinema. I completely refuse to accept that Bengali filmmakers are not making good films.
In Bombay people know me as a Rituparno Ghosh actor but Calcutta gives me the comfort zone and that's why I love shooting here. In Bombay, the money is bigger, the stakes are bigger.
Cinematically, anything like 'Khawto' in Bengali cinema hasn't happened. Yes, you get such films in Hollywood, a few in Bombay. In Bengali literature, you get such stories in the works of Samaresh Basu and Buddhadeb Guha.
There are quality films being made in all languages, whether in Hindi cinema, Bengali or the south. Bollywood doesn't represent Indian cinema, per say.
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