A Quote by Deepti Naval

I like to read people's gestures and implement them into my acting. — © Deepti Naval
I like to read people's gestures and implement them into my acting.
The more he identifies with the dominant images of need, the less he understands his own life and his own desires. The spectacle’s estrangement from the acting subject is expressed by the fact that the individual’s gestures are no longer his own; they are the gestures of someone else who represents them to him.
Obama did organize a great large number of people and many enthusiastic people, what's called in the press 'Obama's Army.' But the army is supposed to take instructions, not to implement, to introduce, develop programs and call on its own candidate to implement them. That's critical.
I'm not a big fan of training, at all. I really don't like it. I've done a few acting classes and I've just hated them. I think they train you to do something, and sometimes you might not be able to break out of it. Acting is lying, and lying is acting. So, I just prefer to read the script and do it my own way.
People nowadays talk about issues as if they're reading lines off a teleprompter. They recite what they read and echo it without thinking. It has become easier to divide people than to unify them, and to blind them than to give them vision. We are no longer unified like a bowl of Cheerios. Instead, we have become as segregated as a box of Lucky Charms. Every day we see the same leprechauns on TV acting like they're the experts of everything.
I read a lot of books. Here are the books I'm using for my 9/11 project. [Wright gestures to three six-foot-long shelves of books.] As I read them I highlight certain passages. Then I have an assistant write down each quote on an index card and note where it came from.
If our planet has seen some eighty billion people it is difficult to suppose hat every individual has had his or her own repertory of gestures. Arithmetically, it is simply impossible. Without the slightest doubt, there are far fewer gestures in the world than there are individuals. That finding leads us to a shocking conclusion: a gesture is more individual than an individual. We could put it in the form of an aphorism: many people, few gestures.
I know journalists like to think that they are read by people like me, but I don't read them.
I used to read a lot about myself and the projects I was doing. When I was only acting, I wouldn't read any reviews because I didn't find them to be very helpful.
Let's develop theories, patiently and honestly thinking them out, in order to promptly act against them – acting and justifying our actions with new theories that condemn them. Let's cut a path in life and then go immediately against that path. Let's adopt all the poses and gestures of something we aren't and don't even wish to be, and don't even wish to taken for being.
I read books for exams at school, but only because I had to read them, and really didn't enjoy it one little bit! The only time I did enjoy it was when I was asked to read out loud in front of the class, as I then used it as an acting exercise!
I read like an animal. I read under the covers, I read lying in the grass, I read at the dinner table. While other people were talking to me, I read.
It was difficult for me to feel my feelings, so I just buried them. Then I found that acting was a way for me to get them out. But now that I'm a reasonably sane adult, acting is more about my trying to engage other people: Acting is cathartic for the viewer as well.
Remember, acting is not a business of glamour. It is science, craft and an art. Read about acting; don't do it for the sake of fun. Actors such as Paresh Rawal and Naseeruddin Shah are great examples; they are surviving only because they have read well.
Ideas are a dime a dozen. People who implement them are priceless.
One of my latest sensations was going to Lady Airlie's to hear Browning read his own poems - with the comport of finding that, at least, if you don't understand them, he himself apparently understands them even less. He read them as if he hated them and would like to bite them to pieces.
Acting is not about dressing up. Acting is about stripping bare. The whole essence of learning lines is to forget them so you can make them sound like you thought of them that instant.
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