A Quote by Deepti Naval
Rituparno Ghosh was one of the finest filmmakers of India; I had seen his films 'Raincoat' and 'Chokher Bali' and I had always admired his body of work.
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I am a great fan of Rituparno's films and have always nurtured a wish of acting in his films. I was very impressed with his 'Chokher Bali,' 'Bariwali,' and 'Raincoat.'
The most interesting part of IIFA is that I get to meet filmmakers from India. I just attended a symposium on Satyajit Ray with Rituparno Ghosh and others. It was just so satisfying
Rituparno Ghosh is a legendary director, and I happen to be a huge fan of his.
I've had a weakness for Bengali directors, be it Rituparno Ghosh, Aparna Sen, or Goutam Ghose, because of their sensitivity towards cinema.
M. J. was M. J. His body of work speaks for itself. We've seen his career, we've dissected his career and had the chance to watch it. That's done.
The thing I admired most about Scott was his fearlessness. Of course his voice, lyrics, and stage presence have always had an effect on me as they have most STP fans. But it was his fearlessness that I admired the most.
When I think about filmmakers and actresses that I have admired my whole life, I've admired their entire body of work.
It seems like the world is so fast to move its interest to someone else. When I think about filmmakers and actresses that I have admired my whole life, I've admired their entire body of work. I have admired what they began with and what they're doing now. And now I feel like there's such a weird pressure to find the new face. I don't get it at all. I want to see women evolve. I want to see a body of work. I want to see all of it.
In Mexico, there are good filmmakers, but they didn't always have the opportunity to show their work. But since 'Amores Perros,' many of these filmmakers had the opportunity to show their films, and they have a newfound energy for cinema.
Commercial Bengali movies are all crass imitation of Telugu and Tamil movies. There are only a handful of directors like Rituparno Ghosh, Aparna Sen and Gautam Ghose who make quality films.
It's okay to do a small role in mainstream cinema like 'Aurangzeb' or 'Yaariyan.' But it's films like Rituparno Ghosh's 'Memories Of March' and Avinash Kumar Singh's 'Listen Amaya' that sustain me as an actress.
But she had dreamed of being his for too long. He had quite ruined her for a marriage of convenience. She wanted everything from him: his mind, his body, his name and, most of all, his heart.
He had not a cent in his pocket, but he had faith. He had decided, the night before, that he would be as much an adventurer as the ones he had admired in books.
Stanley Kubrick, I had been told, hates interviews. It's hard to know what to expect of the man if you've only seen his films. One senses in those films painstaking craftsmanship, a furious intellect at work, a single-minded devotion.
It took me a while to figure out what kind of work I needed to do. I worked with directors like Aparna Sen and Rituparno Ghosh. I wanted to do interesting roles.
Not the shadow of a doubt crossed my mind of the purpose for which the Count had left the theatre. His escape from us, that evening, was beyond all question the preliminary only to his escape from London. The mark of the Brotherhood was on his arm-I felt as certain of it as if he had shown me the brand; and the betrayal of the Brotherhood was on his conscience-I had seen it in his recognition of Pesca.
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