A Quote by Deepti Naval

I always thought I wouldn't do well on stage. — © Deepti Naval
I always thought I wouldn't do well on stage.
Steven and I stood on the stage at the Boston Garden after the Stones had just played there and the stage was still up. We had been playing cards, maybe a high-school dance, to 400 or 500, maybe a thousand. We just stood on the stage and thought, 'Well,man,maybe someday.' In 4 years that was OUR stage.
We always thought it strange that nobody was up on that stage playing soul stuff. Maybe people were playing it in their garages, like us, but they always reverted to pure rock when they got on stage.
The idea of doing theatre always terrified me because I get terrible stage fright. In the early 1970s I was offered a panto but the thought of going on stage was just too mortifying.
I used to really want to go on the stage and then the last couple of years I've done some presenting at some award shows. I was so nervous I thought I was going to be sick, so I don't think me on stage for any length of time would work too well.
When I work with a character like Valjean on stage, I get totally absorbed in that man. I become that man. But there's always, outside of that, the third eye, which watches what you're doing. And you can say to yourself, 'I'm crying well' or 'I'm being angry well.' But there's always that element there, and it never stops.
I really loved 'Fast Five.' I thought it was a brilliant movie. I thought it was so well done, well directed. The action sequences were really well thought out. It looked fantastic.
Some of those early photographs of me might as well be sepia. It's always thought that I disclaim television and am too theatre, but the truth is 'The Avengers' bores me now. I was grateful because it catapulted me into stage stardom. It was good. I'm not ashamed of it. But I only did it for two years.
Always aim at complete harmony of thought and word and deed. Always aim at purifying your thoughts and everything will be well. There is nothing more potent than thought. Deed follows word and word follows thought. The word is the result of a mighty thought, and where the thought is mighty and pure the result is always mighty and pure.
I always knew I was a writer. And I always thought to myself, 'Well, why not me?' Someone has to be on the best-seller list, 'Why not me?' Someone has to write for the 'New Yorker,' 'Why not me?' And I didn't really get much positive reinforcement as a kid, so I thought, 'Well let me show you what I can do.'
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
Well my dad was a pretty good player at one stage and my two older brothers played golf as well. So there were always golf clubs flying around the house.
When I first started acting, I never thought I'd be on TV or film. I always wanted to be on stage.
I've always thought vampires were interesting because they live forever, they're always well-financed, they dress well, you know what I mean? And they're, like, cool. Usually vampire - you've never seen a broke vampire. Have you?
I always treat shows as though they could belong on either platform. I always design it for the bigger stage, but I love it on the smaller stage.
The first time I arrived in Hollywood for the Grammy Awards, I thought I'd bump into people who mattered, such as Ry Cooder or Randy Newman. I was disappointed to see the people I'd always thought of as pop stars. They would charge around the stage rather than enjoy the music.
Well it was a lot fun with John Boy and stuff, but I always knew that I wanted to be on the front of the stage even when I was playing drums. I don't have anything against John Boy, I just wanted to be on the front of the stage.
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