A Quote by Deepti Naval

OTT platforms have opened up a whole new area to explore in terms of content, writing, acting, everything. But I'm not really very comfortable with the four-letter cuss words in all languages, which are now used liberally; I'm a bit old school.
I've no problems with cuss words. All of us use them. Those who say they don't are lying. People can tolerate English cuss words but find the Hindi ones a bit revolting.
When I rapped for 'Manto', I used cuss words and no one objected because it was an adult movie. I feel cuss words are also a way of expression.
Good authors, too, who once knew better words now only use four-letter words writing prose... anything goes.
I used to be a conscious person in terms of dressing, and I wasn't comfortable with my body, so I wouldn't dress in a certain way. Now I am comfortable, and nothing bothers me. Once you are comfortable, everything starts looking good.
The model of getting the consumer to come to you is old, and the new model is how can you get to the consumer on their terms, in ways they want to engage in. How people are choosing to interface with content is very different. You’ve got to marry different platforms.
The model of getting the consumer to come to you is old, and the new model is how can you get to the consumer on their terms, in ways they want to engage in. How people are choosing to interface with content is very different. You've got to marry different platforms.
A little acting debut in Spin City, with Michael J. Fox, which opened up a whole new door for me.
Today's comics use four-letter words as a shortcut to thinking. They're shooting for that big laugh and it becomes a panic thing, using four-letter words to shock people.
My sole inspiration is a telephone call from a director. ... (when asked who wrote 'Some Enchanted Evening') Rodgers and Hammerstein, if you can imagine it taking two men to write one song. ... Good authors, too, who once knew better words now use only four-letter words writing prose. ... Brush up your Shakespeare and they'll all kowtow.
I enjoyed writing in school. I don't know that I was all that good at it in school. I worked at it later. I feel comfortable writing now. I enjoy writing now. I suspect, like most college students, I viewed writing then to be more tedious.
Thou shalt not take the name of the Lord thy God in vain unless you've used up all the other four-letter words.
I'm in a very good place now because I do theater, I do TV and I make movies. I was a dancer, so I dance a little bit. I was a musician, so I do a little bit of music. And I do all of this in four or five different languages, and all over the world.
I grew up near New York, and there were a lot of summer stock theaters in the area. I started an apprenticing with some of the theaters. Not really acting in them - I did everything else: everything but act.
We live in a society right now which is the last phase of the ecosystem in terms of the old entertainment value, or the old entertainment construction, which is we've gone down to this instant gratification, instant numbers, instant understanding, instant. But it's like the exact - it has perfected itself to the instant click, when, in a way, creativity originates as a much more complex beast. So we now have to reinvent a new canvas where we can indulge in it. And that's where the digital revolution creates a whole new ecosystem of entertainment.
I don't get tons of scripts to be looking at and deciding on in terms of feature films; the industry has changed. Fortunately, with television and streaming and original series online, there's this whole new thing that has opened up, which I think is fantastic.
I love improv-ing, you know, from very early on when I started acting the school that I went to and everything was very big on ad-libbing and improv-ing and messing things up, so I feel very comfortable doing stuff like that.
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