A Quote by Deirdre Lovejoy

I happened to fall into a job that wound up being a seminal piece of television history, which was a show I did on HBO called 'The Wire.' That experience really set the bar for me and opened a lot of doors. It also gave me a lot of street cred in terms of my phone ringing and job offers.
I directed a short series for Hulu called 'Paloma,' and being in an editing room, I learned a lot about acting. It gave me a new bolt of energy in terms of my interest in filmmaking because it made me realize how collaborative filmmaking can be and also that you're not just limited to one job.
'Wolf of Wall Street' opened up a lot of doors for me. It was such a massive opportunity, which provided me with only more opportunities.
My first professional acting job was on 'Boss'. My first acting job was basically my first acting class. I had to show up on set prepared and knowing my lines. Also, I got a chance to work with a living legend, Kelsey Grammar - that gave me hands on experience.
There are people who believe once somebody gets you a job in show business you are set and the truth is you have to fight for every job. People opened the doors for me for sure and hopefully I've helped open the door for some people but when you're there it's on you and you better be ready for it.
I gave up school. I gave up a really, really good job. I gave up a lot of stuff. I cut a lot of people out of my life so I could just focus on my fighting dreams.
Working with the WWF was a wonderful experience and it opened up a lot of doors for me.
Bryan Gray at Preston gave me a chance, even though Joe Royle and Ian Rush were being linked with the job. He taught me an awful lot about structuring the job and encouraged me to invest in young players.
There are two sides to being pigeonholed. There's, 'Oh, no, I'm going to be Chandler for the rest of my life,' but there's also the fact that getting to play Chandler opened up doors to me. It's now my job to find things that shake it up a little bit.
If I wanted to make it out of the hood, which I did, and do something fulfilling with my life then I needed a job that paid me a lot of money. Coincidentally, I found that job being a glamour model.
At the end of the day, it is about the album and book and also about setting the record straight, because 'American Idol' has done a great job of defaming my name and throwing a lot of mud at me for the past two years. So that set up a lot of roadblocks for me.
I had to turn down films and plays because I had a job, and I could not take up better job offers that required me to relocate, because I did not want to lose the link with theatre. It was a huge decision for me to quit my job.
But you have to understand what that really did is that it opened these DVDs to be sources of oral history instead of puff pieces for the studio, because people involved with them being in fear of being sued by somebody, so it became another form of movie history. I mean I didn't plan it, but I'm proud that it happened. Which is probably why they didn't interview me for this DVD.
For me, just being how old I am, I know I don't want to be a single mom. I really would rather make it a two-person job. But I've also come to terms with not being a mother at all. I'm actually really good with either direction that my life can take as being a valid experience.
American Idol' has done a great job of defaming my name and throwing a lot of mud at me for the past two years, so that set up a lot of roadblocks for me.
'American Idol' has done a great job of defaming my name and throwing a lot of mud at me for the past two years, so that set up a lot of roadblocks for me.
Mike Nicholls saw me in the musical of The Full Monty and brought me in to audition for Angels in America for HBO. And that opened a lot of doors because you could go to LA and say: "Well, I'm starring opposite Al Pacino and Meryl Streep..."
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