A Quote by Del Close

No one else has performed in a play after they've died, and I want to be the first person to do it. — © Del Close
No one else has performed in a play after they've died, and I want to be the first person to do it.
I don't go to shows because I just want to listen to the music performed live. I want to get to know the person who's performing it. Or I want to, like, take away a sense that I had an experience that nobody else is going to have again, or a unique experience for that moment.
A play is not a play until it's performed, and unless it's a one-person play that is acted, directed and designed by the author, many other people will be deeply involved in the complicated process that leads to its performance.
I discovered 'Rite of Spring' when I was 21. As a matter of fact, not with orchestra first, because it was still a work which was not often performed. Don't forget that I was 19 in 1944, still the Occupation time. So it was performed slightly after the end of the war, in 1945.
What makes me so certain that the natural human lifespan is far in excess of the actual one is this. Among all my autopsies (and I have performed over 1000), I have never seen a person who died of old age. In fact, I do not think that anyone has ever died of old age yet. We invariably die because one vital part has worn out too early in proportion to the rest of the body.
When you look at the actual numbers, the number of people who died after 9/11 was greater than the number of people who died in 9/11, even if you are talking Americans. But you know, I don't like to talk Americans. I want to talk everybody. More innocent people died after 9/11 because of 9/11 than died in 9/11.
I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.
My mother Molly had a nervous breakdown after my father Chic died, aged 50. He was a very generous man who ran a shop in Dundee giving a lot of people tick. When he died, a lot of people hadn't paid their bills, so he died with a lot of debt. After he died, my mother went doolally.
I wrote my first play when I was nine. It was performed at Hampstead Theatre.
At first, I didn't think playing guitar was the right thing for me to do. But after seeing Jimi Hendrix on television the day he died, I realized it was a really cool instrument to play and not wimpy at all, which was how I originally perceived it.
There was a reason my first substantial role after rehab was to play a maniac whose personal story ended badly. I knew what it was like to go those dark places. I played a guy who died as a result of his abuse.
My mom put me into my first play at five at a local theater, and the next day after my first practice, I was like, 'This is what I want to do with my life.'
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
I lost my parents very early in my life. My mom died three weeks after I graduated from high school, and my dad died two years after I got married.
I was brought up not to be selfish or self-centered. So if you play somebody who isn't so lovable, you can play that person and no one will turn on you. I don't want to play that person in real life. Because then people won't like me so much.
Film is an avenue that I really want to explore more. I’ve learned that my personality is quite impulsive and spontaneous, so the idea that I could play a character for six months and then play something else immediately after is really appealing to me.
Name a moral statement or action, uttered or performed by a religious person that could not have been uttered or performed by an unbeliever.
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