A Quote by Delia Smith
I cheated at school. I remember on one occasion I wrote some history dates in pen on my leg. So when there was a question like 'What year did that happen?', I'd lift my skirt up and have a look.
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[Replying to the question of the presenter: "where did the name "Sex Pistols" come from, who thought this name up?"] Some animal. I can't remember. It doesn't matter. It's history.
In high school, I had a teacher there who was really great to me and with whom I finally dared to admit I wanted to be a writer myself, and we did a project where I wrote terrible, 17-year-old fiction. But I remember a couple of the stories. I'd love it if I could read with pride something that I wrote that long ago, but it hasn't happened yet.
One day, at my office, I wrote down some names and dates and notes, and I wrote a title, 'The Age of Despair,' and then some other 'Ages' - Innocence, God, Reason, Hope - and I wrote this as well: 'Woman, born in 1930, lives till the age of 80 or so, suffers depression, marries a car dealer, has children who grow up to confuse her.'
I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
I write on a computer, but I've run the complete gambit. When I was very young, I wrote with a ballpoint pen in school notebooks. Then I got pretentious and started writing with a dip pen on parchment (I wrote at least a novel-length poem that way). Moved on to a fountain pen. Then a typewriter, then an electric self-correct. Then someone gave me a word processor and I was amazed at being able to fit ten pages on one of those floppy discs.
The thing I always try to remember is that feet are attached to the leg, and that you must prolong the silhouette. The shoe elongates the leg and does it discreetly. The goal is to get people to look at a woman's legs. It's all about the leg. No, it's not about the leg. It's about the woman.
A Vampire!" I stammered. Then I noticed her legs. Below the cheerleader skirt, her left leg was brown and shaggy with a donkey's hoof. Her right leg was shaped like a human leg was it was made of bronze. "Uhh, a vampire with-" "Don't mention the legs!" Tammi snapped. "It's rude to make fun.
When I take up my pen, nothing can happen to me. Fate, remember that.
What do you do with all this bank, Josie? Be a lot easier if you just lifted your skirt.” “The only reason I’d lift my skirt is to pull out my pistol and plug you in the head.
...there was the annual Fourth of July picketing at Independence Hall in Philadelphia. ...I thought it was ridiculous to have to go there in a skirt. But I did it anyway because it was something that might possibly have an effect. I remember walking around in my little white blouse and skirt and tourists standing there eating their ice cream cones and watching us like the zoo had opened.
I did take composition lessons when I was in high school, so I wrote piano pieces. I wrote some chamber music. I don't think any of that was particularly interesting.
In Hawaii, after somebody introduces themselves, the next question is, 'What high school did you go to?' From there, it's either 'Oh, OK, it's cool, I know some family,' or it's trash-talking to the max, like 'my school is better than your school.' This is how it kind of is back there.
I remember when I was in film school. It was my second year, and some kid did - had this really over-religious symbolism; like, it said 'John 3:16' and had angels falling over, and it was just this insane - it wasn't that great.
I did some writing for that movie. The remake of Planet of the Apes. I didn't write the script. But I wrote some lines that they ended up... not using. ... I wrote one line. I thought it would've been perfect. I don't know if anyone saw the movie. It's the scene where the ape general comes in. And they're trying to decide if they should attack right there, or wait until a little later. And I wrote: "Man these bananas are good!" But they didn't use it. I did all of that research.
We're dancing from here, from inside, not from outside. You could look at anybody throwing their leg and kick their leg up and a million pirouettes and do all kinds of tricks and stuff like that. But that's not what dance is really about.
Some things you just can't question. Like you can't question why two plus two is four. So don't question it, don't try to look it up. I don't know who made it, all I know is it was put in my head that two plus two is four. So certain things happen. Why does it rain? Why am I so sexy? I don't know.
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