A Quote by Delmore Schwartz

Is it not clear that a reviewer's psyche, like an iceberg, is seven-eighths beneath the surface? — © Delmore Schwartz
Is it not clear that a reviewer's psyche, like an iceberg, is seven-eighths beneath the surface?
In real life, when you have an emotional experience, it's never just because of the thing that's been said. There's the backstory. It's like [Ernest] Hemingway's iceberg theory - the current emotional moment is the tip of the iceberg and all of the past is the seven-eighths of the iceberg that's underwater.
I always try to write on the principle of the iceberg. There is seven-eighths of it underwater for every part that shows.
English life is seventh-eighths below the surface, like an iceberg, and living in England for a year constitutes merely an introduction to an introduction to an introduction to it.
I don't know what the effective ratio would be, but I've always had some sort of intuition that for every hour you spend in the company of other human beings, you need "x" number of hours alone. Now, what "x" represents I don't really know; it might be two and seven-eighths or seven and two-eighths, but it is a substantial ratio.
We don't notice that our cells are turning over all the time. You get a completely new composition of cells every seven years, and on the surface, or subjectively, it looks as though you're the same for seven years. It's like a ground - it looks stable, but beneath it, everything is shifting all the time. It's exciting and dangerous.
Genres are like the surface of the ocean. There are waves and things moving, but you don't instantly see all the reefs and ecosystems that's happening beneath the surface.
As an actor, what's interesting is what's hidden away beneath the surface. You want to be like a duck on a pond - very calm on the surface but paddling away like crazy underneath.
Knowledge can be like the skin on the surface of the water in a pond, or it can go all the way down to the mud. It can be the tiny tip of the iceberg or the whole hundred percent.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril.
... freshness trembles beneath the surface of Everyday, a joy perpetual to all who catch its opal lights beneath the dust of habit.
Human civilization as we know it is like the Titanic headed for the iceberg, whether the iceberg be nuclear, environmental or terrorism-related.
It's not unusual to find big political shifts that take place beneath the surface before they're visible above the surface.
Storytelling is more like a skin. You start with the outermost layer, what it's going to look like, then you kind of get deeper into it. What's actually going on beneath the surface is not really dictated by or related to the surface genre. It's more about what's going to happen between the characters and what's taking place in the story.
On the surface of the ocean, men wage war and destroy each other; but down here, just a few feet beneath the surface, there is a calm and peace, unmolested by man
The underlying tension of a lot of my art is to try and look through the surface appearance of things. Inevitably, one way of getting beneath the surface is to introduce a hole, a window into what lies below.
I prefer neurotic people. I like to hear rumblings beneath the surface.
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