A Quote by Delphine de Vigan

You can learn to find unknowns in equations, draw equidistant lines and demonstrate theorems, but in real life there's nothing to position, calculate, or guess. — © Delphine de Vigan
You can learn to find unknowns in equations, draw equidistant lines and demonstrate theorems, but in real life there's nothing to position, calculate, or guess.
What's the Future? It's a blank sheet of paper, and we draw lines on it, but sometimes our hand is held, and the lines we draw aren't the lines we wanted.
I'm only 13, so I can't say "life experiences." So, basically, I had to... act! I had to make up character that is very old. I guess that's why they call it acting - you do draw from some stuff in your life, I guess, but it's not real life. You have to fake it.
Just by studying mathematics we can hope to make a guess at the kind of mathematics that will come into the physics of the future... If someone can hit on the right lines along which to make this development, it may lead to a future advance in which people will first discover the equations and then, after examining them, gradually learn how to apply them... My own belief is that this is a more likely line of progress than trying to guess at physical pictures.
I always find the more you can draw on real life characters, people, situations, it works better. Certainly for designing a character, I prefer to draw on real people rather than other guys I've seen in movies, rather than 'here's my version of Clint Eastwood' or whoever.
Every great artist must begin by learning to draw with the single line, and my advice to young animators is to learn how to live with that razor-sharp instrument or art. An artist who comes to me with eight or ten good drawings of the human figure in simple lines has a good chance of being hired. But I will tell the artist who comes with a bunch of drawings of Bugs Bunny to go back and learn how to draw the human body. An artist who knows that can learn how to draw ANYTHING, including Bugs Bunny.
The best place to find material is in real life. I've always maintained that it's not until the mid-20s that you have enough of a life to draw from. There's nothing better for a comic than to go through some bad stuff - and some good stuff, like getting married.
But the beauty of Einstein's equations, for example, is just as real to anyone who's experienced it as the beauty of music. We've learned in the 20th century that the equations that work have inner harmony.
Most great entrepreneurs I know are nothing like the other kids. They're almost like tangent lines - those lines that seem to go nowhere. Nothing connects them, until they get out in the real world. Then they connect just fine.
Mobile didn't create more unknowns for web designers. It just forced us to recognize the unknowns that were already there.
The work is intense. You have to calculate a great deal very quickly which requires football intelligence and real concentration. Part of my role is to shuttle between the defense and the attacking lines to make sure that the ball circulates well and quickly.
[Barack] Obama can draw lines for himself and his country, not for other countries. We have our red lines, like our sovereignty, our independence, while if you want to talk about world red lines, the United States used depleted uranium in Iraq, Israel used white phosphorus in Gaza, and nobody said anything. What about the red lines ? We don't see red lines. It's political red lines.
I became an animal painter because I loved to move among animals. I would study an animal and draw it in the position it took, and when it changed to another position I would draw that.
Sometimes the lines in a song are lines you wish you could text-message somebody in real life.
Psychologically, you learn the values that are inherent in the dialogue, and you learn to apply it to the way you read the lines. That's acting. You're not yourself saying those lines, you're somebody else.
Life entails risk, and you have to draw some lines.
As known unknowns become known; unknown unknowns proliferate; the larger the island of knowledge, the longer the shoreline of wonder.
This site uses cookies to ensure you get the best experience. More info...
Got it!