A Quote by Delta Goodrem

The second album was emotionally exhausting and my life felt like it had become very serious at a very young age. — © Delta Goodrem
The second album was emotionally exhausting and my life felt like it had become very serious at a very young age.
Some people will know exactly what they want to do at a very young age, but the odds are low. I feel like people in their early- to mid-20s are very earnest. They’re very serious, and they want to feel like they’ve accomplished a lot at a very young age rather than just trying to figure stuff out. So I try to push them toward a more experimental attitude.
I've always been very politically interested from a very young age and I hadn't felt that was something I could begin to bring into my songwriting because I hadn't felt I'd reached the stage, that I had the skill with language enough, yet, to do that.
I learned construction and carpentry from my father at a young age, so I felt very comfortable and I felt very satisfied when I worked in that field.
I found that life for me gets a lot more serious as you get older. You start off young and happy and smiling and "Wooo! I'm having fun!" And then you get married, and that's very serious, and you have kids, and that's very, very serious. So as you get older, you start thinking about passing away, and that becomes extremely serious.
My dad grew up in western Nebraska. I'd visit all the time as a kid, and it's very much like the Wild West. It felt to me like a cowboy movie. Stuff like that made me become this dreamer at a young age.
I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.
I had a lot of fantasies about being an architect when I was young, and I think I still do. On a visceral level, I'm very intellectually and emotionally attracted to acknowledging how space functions in our lives, both in terms of pleasure and in terms of control, and in terms of all those factors that form a life. I'm also very anxious and maybe repulsed by how superficial that whole dialogue can become.
I could have taken the easy life and just done classical, but I felt very strongly about the album, my first pop album, the first time that I'd fused so many influences. I was very proud when it was in the charts in 25 countries at once.
I would say of characters I've created, the one I've felt the most connected to emotionally was Adam Austin from 'The Prophet.' I think it was the connection to the idea that one decision you make innocently enough can have very serious, drastic consequences for someone else's life.
I have a problem with beginnings... and endings... and middles. But I don't know what else I would do. I find it very, very difficult to write. It takes everything; it's physically and mentally and emotionally exhausting for me. And my neighbours. And my dog.
I felt very maternal around eight months. And I thought I couldn't become any more until I saw the baby... But it happened during my labor because I had a very strong connection with my child. I felt like when I was having contractions, I envisioned my child pushing through a very heavy door. And I imagined this tiny infant doing all the work, so I couldn't think about my own pain... We were talking. I know it sounds crazy, but I felt a communication.
Yaar, television has become a very exhausting medium for actors now. It's like you are racing against time in the race for TRPs, which can be very saturating.
When I was younger I felt very disempowered, very disappeared. I felt worthless, like I had no right to exist. I think a good part of my life was spent recovering from that. Pulling myself out of that.
From a young age, I had done a lot of theater and musical theater. I wasn't really sure what I wanted to do with my life, but every time I was away from acting, I just felt very incomplete and a little stir crazy.
I think my first hit was probably '24 is a Rubberband Man,' which was my second album. My first project, it was very well received in the Southeast region, all throughout the South and parts of the Midwest. It was very well received, but I didn't get national exposure on my second album.
For the second album I look forward to doing a lot of serious collaboration and taking the experiences I've had over this last year, good and bad, and working it into the album.
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