A Quote by Demaryius Thomas
I hear it all the time, people always on my back about quitting or not doing stuff. Then first time in the Superdome, lights are real bright, whenever I got a chance, I made a play.
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I've always been doing stuff, being creative. But I got to the point where I starting to feel this longing, craving, itchy feeling - which was the first sign that it was time. I've made a few attempts to make other solo records, but when I've looked back at the body of work I've always felt like I was never quite there.
When somebody comes up with a progressive idea, to begin with, you're mad, bonkers. Then if you go on, you're dangerous. Then there's a pause. Then you can't find anyone who can say they thought of it in the first place. That's how progress is made. This is why I do believe in the vote. In the end, all these people who've been tempted to the right realise the warning lights in their constituency are brighter than the bright lights from No. 10 offering them things.
For Christmas when I was about four I got given 'Can the can' by Susie Quatro, so that was the first record I got. And I got Skyhooks "Ego is not a Dirty Word.... I was sorta listening to the Beatles and stuff the whole time since I was about ten anyway, then I started getting into Kiss and David Bowie at the same time
Before I started doing '30 Rock', I did about 25 movies. I'd always been doing stand-up every night, and then I would do, like, two to four movies a year. So I really liked doing that, and I want to get back to that, but because of the time commitment to '30 Rock', there's not much time to do that stuff.
When I got a chance to rap, I just busted my ass. When I got a chance to act, I busted my ass. Anytime I get a chance. I'm not wasting time. I won't do it if I'm not doing it 110 percent. You've got to work hard if you want to play hard. I like to play, but I know I gotta bust my ass.
Whenever you're in a relationship, you have that favorite song that reminds you of when you first got together or when you first kissed, and then every time you hear that song, it reminds you of that person.
I always wanted to play with Kobe Bryant. I used to tease him all the time. Every time I was a free agent, I was like, 'What's up, bro? You got a chance to get the pit that you need. You feel me? This is your chance.'
That's about the 1000th and tenth time (I've been asked about my neck). It's OK. I'm been doing a little stuff. I got some stuff from UT, weights to build you back up.
That's about the 1,000th and tenth time (I've been asked about my neck). It's OK. I'm been doing a little stuff. I got some stuff from UT, weights to build you back up.
I went back and listened to the first three albums I made and tried to figure out what was special about them, why people keep going back to them. I think it was because I didn't know what I was doing. I had no idea if they were going to play it on the radio or anything. All I did was write songs, so that's what I got back to.
I like stuff designed by dead people. The old designers. They always got it right because they didn't have to grow up with computers. All of the people that made the spoon and the dishes and the vacuum cleaner didn't have microprocessors and stuff. You could do a good design back then.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
My favorite Wrestlemania moment is Wrestlemania 2000 in Anaheim. Edge and I won the tag titles for the first time, and back then, we didn't know if we'd ever get the chance to win them, and it was our first real high-stakes match.
I play in bars all the time in the States, so I'm kind of used to it. I've just got off the road with the family in Australia, and I enjoyed it but it feels really good to be getting back to doing this stuff.
Everyone is living for everyone else now. They're doing stuff so they can tell other people about it. I don't get all that social media stuff, I've always got other things I want to do - odd jobs around the house. No one wants to hear about that.
Harold Ramis really got my career going and was a friend for a long time. I was doing a play in L.A., and he came to see it a few times and recommended me to Ivan Reitman for Ghostbusters 2. Six months later, I quit real estate and was acting for good, and it was really because Harold took an interest in me and made a phone call and did stuff that people don't usually do, even if they like somebody.
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