A Quote by Demetri Martin

Nothing wise was ever printed upon an apron. — © Demetri Martin
Nothing wise was ever printed upon an apron.
I'm in need of a man apron. A very manly apron.
Approaching the stove, she would don a voluminous apron, toss some meat on a platter, empty a skillet of its perfectly cooked a point vegetables, sprinkle a handful of chopped parsley over all, and then, like a proficient striptease artist, remove the apron, allowing it to fall to the floor with a shake of her hips.
You will get little or nothing from the printed page if you bring it nothing but your eye.
The French Revolution printed money because they didn't have any, so they just printed it, and this was a revolutionary step which of course we are still reaping the huge consequences of today. It struck me that this was beginning to happen...there had been scandals where shares had been printed.
We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. NEVER.
Today we are inundated with such an immense flood of printed matter that the value of individual work has depreciated, for our harassed contemporaries simply cannot take everything that is printed today. It is the typographer's task to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him.
No one in my family had ever done anything acting-wise or entertainment industry-wise.
...nothing ever happens quickly (except when it does). Nothing is ever, ever easy (except when it is). And, most of all, nothing ever goes perfectly according to plan (except in the movies).
He was wise enough to know that nothing ever happened on this globe, for good, at which some people did not have their fill of laughter in the outset
I remember my oldest son, Steve, saying to me once, 'I don't ever remember seeing you with an apron on.' And I thought, that's right, honey, you did not. That was his concept of what a mother should be.
When I left Merle was wearing a bungalow apron and rolling pie crust. She came to the door wiping her hands on the apron and kissed me on the mouth and began to cry and ran back into the house, leaving the doorway empty [...] I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again. (p. 262)
I've always used the technique of the cuento. I am an oral storyteller, but now I do it on the printed page. I think if we were very wise we would use that same tradition in video cassettes, in movies, and on radio.
It is ignorance that is at times incomprehensible to the wise; for instance, he may not see 'the positive person' or 'the negative person' in a black and white way as many people do. A wise man may not understand it because, as a catalyst of wisdom, but not wise in his own eyes, even he can learn from and give back to fools. To think that an individual has absolutely nothing to offer to the table is counter-intuitively what the wise man considers to be 'the ignorance of hopelessness'.
I think my image gets distorted in the public's mind. They don't get a clear or full picture of what I'm like, despite the press coverage I mentioned early. Mistruths are printed as fact, in some cases, and frequently only half of a story will be told. The part that doesn't get printed is often the part that would make the printed part less sensational by shedding light on the facts.
Nothing was more valuable than the printed word.
You have to love dancing to stick to it. It gives you nothing back, no manuscripts to store away, no paintings to show on walls and maybe hang in museums, no poems to be printed and sold, nothing but that fleeting moment when you feel alive. It is not for unsteady souls .
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