A Quote by Demetrious Johnson
It's always about bringing in the numbers, the viewership. That's what gets you the money.
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We'd all like to be in the business where we don't have to report our numbers, too. You're dealing with a Netflix and an Amazon that don't have to report their viewership. They're not sharing those numbers, so how do you work with a creative entity to renegotiate future seasons when nobody has metrics?
Most of my writing friends are working in academia. Most of my business school friends are always talking about bringing companies public, and money, and making money, and lots and lots of money. It's just a different environment.
Technology is changing, so the viewership is getting broken up. My kids watch everything downloaded; they have no idea what the numbers or the names of the channels mean, except 'FX makes the show that I see on my computer.'
I don't even have the plaques in my house - the gold and platinum-selling plaques. I gave them to my parents and grandparents. It was never about the numbers, never about the money. It was always about the music. That's all I care about.
We live in a digital world where all is available at the touch of a screen. Money has been simplified, changed subtly over time from tangible bills to numbers in cyberspace. Cash is no longer in a cloth bag; it's numbers on a screen. Numbers that can be manipulated and modified. If you run out of numbers, you can just buy some more, right?
I've never been one to look at numbers or think about stuff like that. The only numbers I worry about are wins and losses-that's always been my biggest priority.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
And with this sort of increased visibility, there's more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out. And I do think it's sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing. But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
We had a couple of films that, in the course of working on them, the budget shrank to the point where we couldn't make it. They literally ran the numbers: They took our numbers and the stars' numbers, and when they calculated whether we could make our money back or not, it said no.
Money is numbers and numbers never end. If it takes money to be happy, your search for happiness will never end.
LeBron and I have always been about finding companies that we truly believe in and putting real money into them. We're not talking putting in $15,000 or $20,000. It's real money plus the expertise, understanding and knowledge that we bring, as well as bringing LeBron's name and likeness to the product.
For me, I don't talk about numbers. I've had big contracts my whole career; I just don't like talking about numbers if they're real or not real... whatever offers I've had, I always keep it private.
Every day on the set, things change. You move things around. The actors are creating the roles and bringing them to life, and bringing the moments to life, as they happen. That's the best thing about television. I think it gets misunderstood, when there's one credit that says, "Written by," because that's certainly not the way it happens, in real life.
Well can I just make a point about the numbers because people talk a lot about police numbers as if police numbers are the holy grail. But actually what matters is what those police are doing. It's about how those police are deployed.
This independent report clearly indicates that while we may differ among ourselves in government about what to spend money on, we have one of the most reliable and non-political processes for agreeing on how much money there is. We don't play games with the numbers.
Does Rupert like me? I think so, but it doesn't matter. When I go up to the magic room in the sky every three months, if my numbers are right, I get to live. If not, I'm killed. Our relationship isn't about love-it's about arithmetic. Survival means hitting your numbers. I've met or exceeded mine in 56 straight quarters. The reason is: I treat Rupert's money like it is mine.
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