A Quote by Demian Bichir

You don't need tons of money to create art. You do need tons of money to be a part of show business. They are two different things. — © Demian Bichir
You don't need tons of money to create art. You do need tons of money to be a part of show business. They are two different things.
The obvious answer to money is to have tons of it - simply figure out how to make more money than you really need and go for it.
Climate change is real, and the fossil fuel industry is pouring tons and tons of money into campaign contributions. That's something to be angry about.
With an animated show you can make a banana purple. You can put three hats on a cowboy. That would require several days of stitching, in live-action, that you wouldn't be able to afford. I mean, you can just do tons and tons and tons.
The two things that can hurt you are if you need money or if you need fame. Those are the things that can be your Achilles' heel. But if you don't need money and you don't need fame, then you're free.
The two things that can hurt you are if you need money or if you need fame. Those are the things that can be your Achilles heel. But if you don't need money and you don't need fame, then you're free.
I want there to be tons and tons and tons and tons of movies starring women.
My business is the art of balancing the need to make money with the desire to create.
Owning a business is NOT about working your ass off for the sake of trying to squeeze out a living. It is NOT about making tons of money at the expense of losing tons of life. It IS about maximizing life, bettering your life and the lives of others, which, not so ironically, fattens your purse.
The key, I think, from a business point of view, is to learn how to be efficient in making a record that's not too expensive, so that you're not going crazy spending tons of money making a product that might not ever return that money.
I have tons of Air Force Ones. Luckily, I'm with Nike, so I get tons of different shoes.
There's so many things I want to do. I want to work with great filmmakers, great actors, great scripts. And there's no reason for me to do anything short of that, because I'm 24, I don't have a family, I don't need to make tons of money, and I'm not dying to get famous.
I was never specifically associated with a part, I didn't have tons of money, I wasn't conventionally tall or handsome, so you know the things that were available to me were hard work and perseverance.
I tried [being a mogul]. It bores me. I don't really want to produce other people's movies. Because they're either grown-up filmmakers like Steven Soderbergh or Kathryn Bigelow that didn't really need me - and I've produced both of them. It's fun to sit around with them and be collegial, but they don't need me. They can make the film without me. I make my own stuff. There are tons and tons of other things I'm interested in that have nothing to do with movies or are documentary projects.
Just because you're working does not mean you're making money. That's two very different things in show business.
Money is a great isolator. In fact, we don't even need to have money or make money, we only need to be perceived as having money to be isolated in the strangest ways from most of the community around us. It reaches the point where a person with money spends a great deal of time reacting to people who are reacting to the money.
Let's say I am a chocoholic and I eat tons of chocolate a day. A hundred thousands of tons a day. I have this craving, but I can't afford it, so I get a printing press, and I start printing money, and I print billions and billions to buy chocolate. So I create this boom in the chocolate industry, so stores are running out of chocolate. So they have demand, so chocolate makers expand. Cocoa growers expand. You create this great boom. But now the feds arrest me and shut me down. And now there is a depression in the chocolate industry. That's what happens with the monetary policy.
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