A Quote by Denis Dutton

I have seen journals with good financial backing and editorial support die because they looked so bad nobody wanted to publish them. — © Denis Dutton
I have seen journals with good financial backing and editorial support die because they looked so bad nobody wanted to publish them.
I am not a contest-enterer by nature. But contests - and their entry fees - are often the main way literary journals raise money to, you know, publish their issues. So entering contests helps support the journal, which also helps support the writers they publish.
I was talking to my dad, who's a neurosurgeon. He had this academic paper he wanted to publish. Journals take about 18 months to publish a paper, and he just wanted to get things up there.
When you publish something, it is very much as if you pulled your pants down in public. If what you have written is good, nobody can hurt you; if what you have written is bad, nobody can help you.
In stories like Cinderella and Beauty and the Beast, they always say the heroine is 'as good as she is beautiful.' I wondered if people just wanted that to be true, wanted the beautiful to be good. I wondered if they wanted the ugly to be bad because then they wouldn't have to feel bad for them.
I've never owned a really bad car, but when I did my driving lessons I had something pretty bad. It was a Skoda, from back before Skodas were actually good, because I know they've got better recently but this was a proper old one. Roy's School of Motoring, it was called, and it was this cream Skoda with a long bonnet. He did 20 lessons for a really cheap fee because nobody wanted to be seen in this cream Skoda around Enfield!
There were certain things that I watched, and I screened a series of period films as well, not because I wanted to copy those, because I wanted to be different. “Far from the Madding Crowd” was one I looked to because I thought it looked so good. “Doctor Zhivago.” Unrequited love is always a great thing. “Tess” was something I looked at, I thought Polanski got the period right.
The thinner a newspaper or magazine is - due to reduced revenue from advertising dollars - the less editorial content because of the standard ad-to-editorial ratio, and the less money there is to support investigative journalism.
I do not remember where I read that there are two kinds of poets: the good poets, who at a certain point destroy their bad poems and go off to run guns in Africa, and the bad poets, who publish theirs and keep writing more until they die.
The first thing you need in order to make a business viable is to preserve a cash flow. I made sure I didn't have any financial backing or support.
Most people don't read editorial pages. I think I must have been 40 before I even looked at an editorial page.
I have stacks and stacks of journals. I'll change the names if I ever decide to publish them.
I wanted James Carville to never die. I wanted Dylan, the poet, to not die. I wanted to put these people in a place where they would be inviolate. It wasn't enough to have a still life of them. I wanted to surround them with the lives they led.
I looked back at some high school journals and discovered that I definitely wanted to be a writer, but not necessarily comedy.
When people close to me die, I never feel bad for myself. I feel bad for them because they was good at living, and they don't get to do it no more.
All poets write bad poetry. Bad poets publish them, good poets burn them.
Nobody wants to get rid of their life experiences - you are who you are because of them, no matter if they're good or bad.
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