A Quote by Denis Johnson

I didnt finish the stories until we went to the Philippines and I got malaria. I couldnt work and I didnt have any money, but I had seven stories. So I wrote three or four more.
I didn't finish the stories until we went to the Philippines and I got malaria. I couldn't work and I didn't have any money, but I had seven stories. So I wrote three or four more.
I travelled across Canada on the Canadian Pacific Railway when I was 18. I didnt realise how long the journey was - four days - and I didnt buy enough food. All I had was four slabs of Philadelphia cream cheese and some biscuits.
I didnt have any knowledge of the music industry when I first got to L.A., and I really didnt know on a creative level what I wanted to sound like, so I had to do a lot of experimenting. It led to a spiral of depression and being broke.
I didnt start doing graffiti until two years after I got to New York. Jean Michel Basquiat was one of my main inspirations for doing graffiti. For a year I didnt know who Jean Michel was, but I knew his work.
John Wetteland had a very good curveball. He threw it for a strike, too, in any count, any situation. But, he really didnt use it much. He didnt want to throw it. He wanted to throw fastball-slider.
I dont know how it is now but the assistant stage manager had to understudy several parts. You had to be ready to go on at any time if the actor couldnt make it to the play. I didnt think anything of it.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
I didnt know any actors growing up. My dad was a builder, and we didnt know any arty types.
I started writing it the day after Sept. 11. I was living in New York City. We didnt have any phone service and we didnt have any mail. Like a lot of writers do, I started to write in a voice that I missed.
I didnt wear the pink panties because I didnt want America going crazy with excitement.
I didnt write Snow White for any class, but I got bitten by the screenwriting bug and wrote a couple of scripts in my spare time instead of going to keg parties or something.
Reducing your life down to three pairs of jeans, two skirts, a couple of shirts, and a few pairs of shoes was so nice for me. I really loved living in this tiny room where I didnt have space for anything. It sounds really lame, but it made me feel a lot more free, because I just didnt have as many choices.
I had studied the violin to a certain amount of success. At some point, I realized that I didnt really like the violin. I was only doing it because I could, and I was good at it, and everyone was encouraging me. But I didnt have a great love for it.
I didnt write anything at all except book reports until I was in seventh grade, and then I wrote mostly poetry for myself.
There are stories still in existence that I wrote when I was five. However, I did not get published until I was seven.
When my father passed away two or three years ago, I didnt listen to music for four days - thats a long time for me.
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