A Quote by Denis Lavant

There's no doubt that I owe a lot to my training of stage acting. — © Denis Lavant
There's no doubt that I owe a lot to my training of stage acting.
Each training session I'm getting better and better. I have no other duties now, no worries, it's all about training, eating and sleeping. I have a lot more time and can put a lot more effort into training. I'm feeling better every day. As long as I'm feeling myself I'm definitely in no doubt I can go to the Olympics and win.
'Community' was a very important part of my growth as an actor. I see it as my acting school, not having a lot of formal acting training.
One of the things I do tell young women, if they want to pursue a career in acting, is to get good stage training. It is essential to have a good basis in stage technique. You can move into film easily, and acquire more skill and more understanding, but you can't necessarily go the other way around. For women, longevity of career will very much be on stage.
I went to a lot of theatre schools, got a lot of training, did a lot of repertory where you do a different play every night. I took a lot of voice, movement, and acting classes.
I was very fortunate to have gone to drama school in London for three years, and that was classical training in the sense that a lot of it was dominated by stage work, so I would love to go back to stage.
I was a law student when I started acting in plays. I was a real estate lawyer but I continued acting on stage because that is what gave me a lot of happiness.
You can improve in every stage of your career, and even in training, after training, analysing your game, you can do a lot of stuff to make steps, and that's also a major point of becoming a top player.
I reenact everything. I love to paint a picture for my audience. I'm a lot like Richard Pryor in that aspect. I do a lot of acting on stage, acting out and visualizing stuff. I love to do that. I'm into it so much, it just comes out of me.
Like belief, doubt takes a lot of different forms, from ancient Skepticism to modern scientific empiricism, from doubt in many gods to doubt in one God, to doubt that recreates and enlivens faith and doubt that is really disbelief.
I was more used to acting onstage, for a long time. I don't know, maybe I was temperamentally more suited to stage stuff. And there are things about the stage that I miss in a lot of ways.
What I'm saying not a lot of people say: What is considered good acting today isn't necessarily good acting, because everybody knows what they are doing. Doubt is an important part of the human being. Trust has to be attained.
A lot of the time, you're supposed to play to the top of your intelligence, as truthful as possible. But when you're on stage making people laugh, you're still acting. I think it helped me a bunch to go on stage two or three times a week.
Suffering... We owe to it all that is good in us, all that gives value to life; we owe to it pity, we owe to it courage, we owe to it all the virtues.
Suffering! We owe to it all that is good in us, all that gives value to life; we owe to it pity, we owe to it courage, we owe to it all the virtues.
I was applying to the art school, but there was a checklist that said I had to do either production design or stage management or acting. I thought, "I don't want to be an actor, but I know production and stage management take acting classes" - this is literally my internal monologue. I was like, "Designers don't have to take acting classes. Cool. I'll check that box".
I never cheat in training. I owe it to myself and family to give it everything I have, all the time. To be honest, I hate every minute of training. But the rewards of giving your all and having it translate into great things on the pitch are the reasons why it's all worth it.
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