A Quote by Denis Lawson
Ewan was auditioning to get into acting college and asked me for advice as he wasn't connecting with the piece he was learning. I told him to think about a time he'd been beaten up in Glasgow and how he felt when the guy had punched him for no reason. He then made the connection between emotion and the words he was saying, which is what acting is.
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One time a reporter asked me what my worst quality was. I looked him in the eyes then punched him in the face. I kind of felt bad about it later, but he didn't need to be rude.
When I fought Montell Griffin, he quit on me, on the floor, I hit him with a soft punch and he laid down like I knocked him out, and it kinda upset me. I told him I don't care what it is, just give me the rematch. And then I really had to teach him the difference between acting like you've been knocked out, and getting hit for real.
I met my agent when I was 10 years old on a family skiing vacation. He asked if I was interested in acting, and I had been doing school plays. A couple of years later, I called him up, and I started auditioning.
At least her last words to him had been words of love. But she wished she'd told him just how much she loved him. How much she had to thank him for, how many good things he had done. She hadn't told him nearly enough.
When I told my father that I wanted to join the film industry, he asked me if I was sure about it, as acting is a very insecure profession. He also asked me if my reason to join the same profession like him was to have an easy road. I said no.
I had just been doing graffiti around New York and this real estate investor guy had walked through meat packing in New York and saw some of my graffiti. He was impressed and asked if I sold canvases. I really had not made any canvases of my graffiti work yet, but told him I could make one for him. He then commissioned me to make ten paintings and put on my first art show. Between the sold out show and the cops chasing after me it created a lot of media and I've been doing really well since then.
I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.
I lost my dad two years ago to cancer, and before he died, I asked him to write 'Daddy's Little Girl' on a piece of paper for me. I told him it was for an album. He practiced and practiced and then sent it to me, and I had it tattooed onto my wrist and surprised him with it. He cried when he saw it, happy tears. This way I always carry him with me.
The most significant piece of advice my father gave me early on about acting was, don't get caught acting. Really believe in what you're doing and then commit to it. Even if it feels uncomfortable, even if you feel that you're gonna look like an ass. It's all acting, but find the truth in a moment as opposed to just pretending you have and rather than trying to act your way out of it.
Now, there was an anchorite called Timothy in a coenobium. The abbot, having heard of a brother who was being tempted, asked Timothy about him, and the anchorite advised him to drive the brother away. Then when he had been driven away, the brother's temptation fell upon Timothy to the point where he was in danger. Then Timothy stood up before God and said, "I have sinned. Forgive me." Then a voice came which said to him, "Timothy, the only reason I have done this to you is because you despised your brother in the time of his temptation."
I think there's a real connection between acting and writing novels because the way I write characters has a little bit to do with the method acting that I was taught in high school and college.
When a young artist asked me for advice on drawing the human foot, I told him, ‘The first thing you must learn is how to take your shoe off, and then how to take your sock off, then prop your leg up carefully on your other knee, take a piece of paper, and draw your foot.’
Some of the best times I've ever had in my life have been because of acting and through acting. But I'm not interested in the game of acting and being an actor and auditioning and all that stuff.
So, acting has been my dream. But I didn't groom myself for it. I was studying and then got into college. I thought I'd start auditioning once college was over, but luckily, I got the chance earlier, so there was no time to prepare.
When you showed someone how you felt, it was fresh and honest. When you told someone how you felt, there might be nothing behind the words but habit or expectation. Those three words were what everyone used; simple syllables couldn't contain something as rare as what I felt for Sean. I wanted him to feel what I felt when I was with him: that incredible combination of comfort, decadence, and wonder; the knowledge that, with just a single taste of him, I was addicted.
My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
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