A Quote by Denis Lawson

I began to tell people that I wanted to be an entertainer. Between the ages of five and 11 there was an intense amount of practical drama going on. — © Denis Lawson
I began to tell people that I wanted to be an entertainer. Between the ages of five and 11 there was an intense amount of practical drama going on.
Apart from two periods of intense study, of music between the ages of 12 and 14 and of mathematics between the ages of 14 and 16, I coasted, daydreaming, through most of my school years.
Post-9/11, we saw an immediate uptick in the amount of people in our stores, all over the country. People wanted that human connection. We are not going to fracture the Starbucks experience.
Shaw writes plays for the ages, the ages between five and twelve.
I'm prejudiced about education altogether. I think it's terribly overrated. It wastes a tremendous amount of time - especially for women, it's particularly badly timed. If they're doing a Ph.D., they have a conflict between raising a family or finishing the degree, which is just at the worst time - between the ages of 25 to 30 or whatever it is. It ruins the five years of their lives.
I began writing at the age of 5, but there was a dark period between the ages of 8 and 16 when I didn't write. I started again at 16 and have no idea why, but it was suddenly the only thing I wanted to do.
I began writing at the age of 5, but there was a dark period between the ages of 8 and 16 when I didn't write. I started again at 16. And have no idea why, but it was suddenly the only thing I wanted to do.
I've always wanted to create drama in my pictures, which is why I paint people. It's people who have brought drama to pictures from the beginning. The simplest human gestures tell stories.
When I was between the ages of five and nine, the soldiers of the Second World War wanted to have Betty Grable, but I wanted to be Betty Grable. She was the epitome of an alluring woman; she had it all as far as I was concerned.
Some things hit close to home with people, and it's going to be hard to tell someone who lost somebody on 9/11 that a 9/11 joke is funny.
I would pretty much like to forget the music that happened to me between the ages of eight and 11, so I'm going to say the first album I bought was the special edition of 'Dark Side of the Moon.'
I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films.
For a long time, I've distinguished between entertainer and performer and entertainer and artist. To me, an entertainer is someone who pleases others, and an artist tries to please himself.
I only know the lyrics to songs that I listened to between the ages of 11 and 15.
We think of the number "five" as applying to appropriate groups of any entities whatsoever - to five fishes, five children, five apples, five days... We are merely thinking of those relationships between those two groups which are entirely independent of the individual essences of any of the members of either group. This is a very remarkable feat of abstraction; and it must have taken ages for the human race to rise to it
Following 9/11, intelligence indicated numerous links between al-Qa'eda and Algeria. It began to look as though the roots of jihad could be traced back to the war in Algeria that began 50 years ago.
So many things suddenly made sense for the clowns, for the whole idea. I’d been going through a struggle, particularly after 9/11; I couldn’t figure out what I wanted to say. I still wanted the work to be the same kind of mixture – intense, with a nasty side or an ugly side, but also with a real pathos about the characters – and clowns have an underlying sense of sadness while they’re trying to cheer people up. Clowns are sad, but they’re also psychotically, hysterically happy.
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