A Quote by Denis Leary
I needed someone really intense, but also somebody with a lot of theatrical credibility.
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I'm really fed up with all the credibility talk. A lot of times it seems to be more important than the music. Well, I guess for a lot of people it actually is. We don't care for credibility.
The Paris Agreement is an agreement that has really such a huge, huge level of credibility and strength. Not only was it signed by more than 190 countries in record time, it has also been ratified in record time, and it has also, really, also a lot of support form the people, the public in general.
The Angels shows are really intense. We play for a couple hours at a time. They're very theatrical and full of audience interaction and emotion. I've seen a lot of people crying and stuff. It's a little bit like church, but it's very secular.
It's funny; we never had anything like credibility. Even though we all have some sort of punk-rock background, but so what? I really don't care about that. What's credibility anyway? Who has credibility?
When I began my humanitarian work, I understood that in order to gain credibility I needed patience, commitment and unwavering perseverance. I needed to ignore the skeptics.
Looking at him like that, I felt like I needed something from him, or somebody, and that probably meant that he also needed something from me, or somebody, but the revelation was like looking at spots on a slide. Knowing that it meant something to somebody wasn't the same as it meaning something to you.
I asked Shia: who is the guy that terrifies you the most? And he said Mads. So it was somebody we both really wanted to work with. He's intimidating, but has a really big heart and he's sexy. He's got this sexiness, even guys fall for him. He just penetrates everything-not literally. So we needed a brokenhearted thug that could really give us the heartache. And going between the violence and viciousness and the complete softness without making it too much. A lot of those characters can go into a charade, and I needed it to be genuine heartbrokenness and that's what he's great at doing.
I had a really good time with Martha Stewart, who also is somebody I really admire a lot. I've learned a lot from her and I think all of America has, about attention to detail and using fresh ingredients and making things beautiful and special.
I think that, for a lot of us, the closer we get to showing people who we really are, that's where we feel the most uncomfortable, the most vulnerable. But it's also where the healthiest growth comes from. Like when I can really open myself up to someone and show someone who I really am, it's amazing when it happens.
I didn't so much think I needed to address the shooting need. What we needed was somebody who could come in and play the two-three (shooting guard-small forward) spot. If he could've been a pure shooter, great. But if not, we still needed somebody to give us minutes there. I like the guys we've got.
If you do an indie film, where it's like, "We don't have a lot of money to give you, but we'll really give you a lot of freedom," that's really a luxury to have in this business. At least for myself, because I'm still kind of earning my acting credibility.
Even if you're an angry, intense person, you also have to have intense joy about life and intense feelings about the world.
I'm pretty unfussy when it comes to what a TV show should be, or what a movie should be. A lot of people are trying to maintain the theatrical experience for films. That's not really who we are or what we're about. We come from this fundamental understanding that we're just blessed that someone is giving us any money to make something in this town.
'Thank you' is often an admission that you needed something that wasn't being fulfilled or you couldn't do on your own, so you needed someone else. There is also guilt. We think, 'Well, too much time has gone by, and it doesn't matter,' but it does. It always matters.
I didn't read poetry seriously until college, when I really began to devour it in a very intense way. I also discovered that a poet is a maker. Before that, I thought a poet was someone who wrote about his own experiences.
There's no love more intense than the love we have for our kids - and where there is intense love, there is also intense fear lurking beneath the surface.
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