A Quote by Denis Leary

The best pitch I ever heard about cocaine was back in the early eighties when a street dealer followed me down the sidewalk going: I got some great blow man. I got the stuff that killed Belushi.
We got the goals early in the game and I thought we just got a little too comfortable with things. They started changing their defense, they started going from a zone defense to a man-to-man and doing different things. We got sloppy, and I give them credit for the way they played. We got sloppy and had some turnovers there. We did have some opportunities, one-on-one with the goalie in the second there, but we need to finish things. They found some momentum in their defense and were able to crawl back in.
The first time I got into the studio, when I was 17, 18, I got to work with people who were some part of the Cheiron thing, who did all the early Britney Spears stuff, all the early 'NSync stuff.
Right after 'Backspacer,' my best friend got killed tragically. Something happened to me then where I got super motivated. I had a shelf of all this unfinished music... So I just went to work and made a conscious decision that I was going to finish a bunch of stuff. Life's short.
Here's the pitch. Mantle swings. There's a tremendous drive going into deep left field! It's going, going! It's over the bleachers... over the sign atop the bleachers... into the yards of houses across the street! It's got to be one of the longest runs I've ever seen! How about that!
I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.
I won't live in L.A. again, hell no, my friends tell me s**t when they come over I don't want to hear. I don't even know who got married and who got pregnant. You turn on the news in L.A. and it is all gossip about people. All the stuff that is going on in the world right now and this gossip is the news?... I love the BBC. I haven't heard myself mentioned on TV since I have been here. That has been really weird for me, and great.
I don't know what in the hell's going on with cranberries, but they're getting in all the other juices. Whoever the salesman is for cranberries is doing a great job. He's showing up everywhere. Hey, what do you got, some apples? Put some cranberries in there. We'll call it cran-apple and go 50-50. What do you got grapes? How about cran-grape. What do you got mangos? Cran-mango. What do you got pork chops? Cran-chops. Why don't you back off, cran-man. Why don't you take your sales trophy and have a vacation.
I've never, ever in my life touched a photographer. Some of the cruellest things I've ever said have been to photographers who are chasing me down the street, some of the sharpest, most efficient emotional barbs. And they know that in that moment, in that one-to-one wit competition, they just got smashed.
He's just very deceiving. He just covers a lot of ground with ease. I got to the three-eighths pole, and I even got a little concerned because he was so relaxed. I wasn't sure if he was going to fire, but I didn't want to test him that early. As soon as I got to the top of the stretch I shook him up and got an immediate response. In the stretch, once I knew he wasn't going to get beat, I put my hands down and he eased himself up. He's a real smart horse and he's got a great attitude.
There's a place in England called Petticoat Lane, and... they always used to get the heavy albums, like, a week before. So I went down there and got it, and I went back home. I didn't come out of my room for about three days. I just played it nonstop... 'Sgt. Pepper's' was the best thing I'd ever heard in my life.
A drone strike is a terror weapon, we don't talk about it that way. It is; just imagine you are walking down the street and you don't know whether in 5 minutes there is going to be an explosion across the street from some place up in the sky that you can't see. Somebody will be killed, and whoever is around will be killed, maybe you'll be injured if you're there. That is a terror weapon. It terrorizes villages, regions, huge areas. It's the most massive terror campaign going on by a long shot.
The best part of success is that it got me past the basic survival level of existence so that I was comfortable. I didn't have to worry about stuff pertaining to survival. Once that was taken care of, I got the chance sit down and create and work at what I do.
They shoulda called me Little Cocaine, I was sniffing so much of the stuff! My nose got big enough to back a diesel truck in, unload it, and drive it right out again.
I knew Shin [Biyajima] a little bit early on, but it's funny because where I really met Shin, and where he made a strong impression on me, was in Jackson Hole. I sledded back to a secret zone way deep in the Jackson backcountry to some freeriding. I got out there and followed some snowmobile tracks figuring it's just some snowmobilers.
I come from nothing. When I got a chance to make some money, I was like, 'Man, I'm not ever going back.'
I'm not going to try to be too young because at the end of the day, I'm not 20 anymore. I don't want to sound corny or look corny doing young things. All the stuff that the kids are doing, that's not my place. I believe that everyone followed me back then, they're still here. That's who I'm trying to talk to and relate to. All the trap music and all of that, it's great but I can't do that. I'm going to stay vintage Ginuwine and stay at the place that got me here. That's what people want.
This site uses cookies to ensure you get the best experience. More info...
Got it!