A Quote by Denis Leary
Anthony Mackie in 'The Hurt Locker' is everything an actor can hope to be. So rock steady in his portrayal that you immediately forget every performance he may have previously given, and focus only on the character in front of you.
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I would love to work with Johnny Depp. I really admire him as an actor, and personally, in my opinion, his portrayal of Captain Jack Sparrow is one of greatest performances given by an actor. I love his creative sense and the way he creates a character, so it would be a dream come true to work with him.
Anthony Mackie is better at being Sam Wilson than I am. So I embrace his ideas.
The steady character of our countrymen is a rock to which we may safely moor; and notwithstanding the efforts of the papers to disseminate early discontents, I expect that a just, dispassionate and steady conduct, will at length rally to a proper system the great body of our country. Unequivocal in principle, reasonable in manner, we shall be able I hope to do a great deal of good to the cause of freedom & harmony.
I wouldn't say I'm a Method actor, but I do try to focus very deeply on what character I'm playing, and everything else goes out the window. I forget about everything. I try to get everything else out of my head.
Anthony: Now lower your dress a little- Roslynn: Anthony! Anthony: This is no time for offended modesty... You're the distraction. Roslynn: Och, well, in that case. Anthony: That's quite low enough, my dear... Roslynn: I was only trying to help, Anthony: Commendable, but we want the chap to ogle you, not bust his breeches.
I'm not a writer; I'm an actor. My job is to take whatever character I'm given and - especially because I have the responsibility of being a black actress, and I know young black girls are looking up, and everyone's looking to what's on television - to just try to give whatever character I'm playing as three-dimensional a portrayal as I can.
I really just try to focus every day on delivering the most honest portrayal I can and let everything else take care of itself.
Every actor has his own approach towards acting. I believe you do not become the character you are playing. You may get closer to it but you do not lose yourself. There's just a reflection of the character in you.
There is only one way to be revived and healed from our backslidings so that we may become fruitful even in old age. We must take a steady look at the glory of Christ in His special character, in His grace and work, as shown to us in the Scripture.
I work out every day just to keep in shape. I feel like I never want to get stuck in a position where when you need somebody with great arms, you call Anthony Mackie. That hasn't been the calling card for my career, and nor do I want it to be.
The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.
As an actor, that's the most important thing. You want to be able to let go and not hold onto anything, so that you can give an honest portrayal and performance.
And as a director, you constantly try to solve problems, so you have to focus on that. You take away all the other parts. Of course, when the shot finishes, you remember that you have Robert De Niro in front of you. But when you're shooting, you just see a character in front of you, and an actor, and you try to search for very truthful moments. That's what obsesses you.
Richard Gavin is one of the bright new stars in contemporary weird fiction. His richly textured style, deft character portrayal, and powerful horrific conceptions make every one of his tales a pleasure to read.
The director's job is to know what emotional statement he wants a character to convey in his scene or his line, and to exercise taste and judgment in helping the actor give his best possible performance.
Preparing a character is the opposite of building-it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore.
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