A Quote by Denis Norden
Bob Monkhouse, Galton and Simpson, Spike Milligan and I all started around the same time with an enormous advantage: working to an audience all of whom had shared an awful, common experience - the war.
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I had a very good kiss from Bob Monkhouse once. I thought, 'If I was straight, I would go for Bob.'
The film-maker Alejandro Jodorowsky - his films are hard to watch - they're so dense and rich - but they're probably the best things ever made. And Spike Milligan, who was light years ahead of the rest - I played some of his stuff to Jack Black once. He'd never heard of him, so watching him listen to Spike for the first time was just hilarious.
The Philippines and the U.S. have had a strong relationship with each other for a very long time now. We have a shared history. We have shared values, democracy, freedom, and we have been in all the wars together in modern history, the World War, Second World War, Cold War, Vietnam, Korea, now the war on terrorism.
The Goons were always one of our favourites; we always felt we were in that tradition - Goons, Monty Python, Peter Cook, Vic and Bob, Spike Milligan. We felt we were part of that lineage, but in England, it wasn't happening like that. There was a brand of comedy like 'The Office,' which was very real.
When I was younger, my whole sense of self-worth was based on whether or not I was working, which was awful. And I had a baby at 20 years old, so it wasn't just about me. At around the age of 30 there was a stretch where I wasn't working - certainly not on anything I liked, anyway - and I started to do other things.
The two-war strategy was a product of the cold war, when we had to have the ability to fight the Russians on the plains of Europe and fight the Chinese on the Korean peninsula at the same time. That costs an awful lot of money.
I think I can take responsibility for that in that I was the audience. I was the voice of sanity around whom all these crazies did their dance. And I reacted in the same way that a member of the audience would have reacted.
You turn the computer into the storyteller and the player into the audience, like in the old days when the storyteller would actually respond to the audience, rather than just having the audience respond to the storyteller. I had an enormous amount of fun, actually, working on that.
I started working on how I would direct this a year before we started shooting "All We Had" and I was prepping, acting, and directing sort of at the same time. I knew that I didn't want to hold people up on set.
The system we have is one that protects my rights under a president I don`t approve. That tomorrow we`ll do the same for you. And what people have in common is their commitment to those shared rules. And if you have someone who was a challenger to the shared rules, that`s unacceptable. And we`ve never seen that before. Not in a long, long time but we see it now.
I think that theater is a unique way to communicate with people as they gather together with other people they may not even know. It creates a sense of shared community for the time of the performance that hopefully carries over into other aspects of the audience's life because they have shared this experience together.
When I was young, I saw some of my heroes doing it on the telly. We're talking about Spike Milligan, Peter Sellers, Arthur Lowe, Ian McKellan, Kenneth Williams. These were all guys telling stories to me.
The psyche is the inward experience of the human body, which is essentially the same in all human beings, with the same organs, the same instincts, the same impulses, the same conflicts, the same fears. Out of this common ground have come what Jung has called the archetypes, which are the common ideas of myths.
Paul [ Burwell] and I had also got interested in making books. We'd been working with Bob Cobbing, the sound poet, since the beginning of the 70s, and Bob had this press called Writers Forum.
'Let's Get Harry' was where I met Bob Singer and worked with him for the first time, and then 'Reasonable Doubts' was the second time, and there was a thing after that called 'Charlie Grace' that was the third time. I liked working with Bob. A nice man and a good partner.
I just spent a lot of time on 'ER' for that eight years. I also started working when I was 16, so by the time I left 'ER,' I was 40 years old, I had this incredible experience, my wife had this great company, we had four kids, it was like, 'Let's go to New York and live for a while and make that the priority.'
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