A Quote by Denis O'Hare
'The Iliad' is about a war 1,200 years ago that solved nothing and achieved nothing. Most of our wars achieve very little. But whatever agenda I have gets buried in a work this great. If you're being honest, you realize that, as an artist, you're not a policy maker.
Related Quotes
You have only to play at Little Wars three or four times to realize just what a blundering thing Great War must be. Great War is at present, I am convinced, not only the most expensive game in the universe, but it is a game out of all proportion. Not only are the masses of men and material and suffering and inconvenience too monstrously big for reason, but-the available heads we have for it, are too small. That, I think, is the most pacific realization conceivable, and Little War brings you to it as nothing else but Great War can do.
We have all been brought up with an ethical system of 2,000 years ago, an industrial-managerial system of 200-300 years ago, a statecraft system of 200 years ago, and so on. None of this is working very well for the requirements of a time as complex and variegated as our own. So we stand shuttering at the threshold, with no clear map.
Filmmakers don't work for posterity. We create with celluloid and chemical pigments that don't last very long. They fade away. In 200 years there will be nothing left of our work but dust.
There is nothing that war has ever achieved that we could not better achieve without it.
There is nothing wrong with the planet. The planet is fine ... been here 4 1/2 billion years. We've been here, what, a 100,000 years, maybe 200,000. And we've only been engaged in heavy industry a little over 200 years. 200 years versus 4 1/2 billion. And we have the conceit to think that somehow we're a threat? The planet isn't going away. We are.
So this guy, Jeff Johnson, who is an accountant who cares nothing at all about a free press and cares nothing about journalism, he's a right winger who supported the war, you know, who two years ago told people he couldn't stand a word that I wrote.
Labour is man's great function, his peculiar distinction, his privilege. Can he not think so? Can he not see, that from being an animal to eat and drink and sleep, to become a worker... He is nothing, he can be nothing, he can achieve nothing, fulfil nothing, without working.
Had the Hebrews not been disturbed in their progress a thousand and more years ago, they would have solved all the great problems of civilization which are being solved now under all the difficulties imposed by the spirit of the Middle Ages.
It's hard to write a war story without thinking about the 'Iliad.' Because the 'Iliad' knows everything about war.
I am sick of war. Every woman of my generation is sick of war. Fifty years of war. Wars rumored, wars beginning, wars fought, wars ending, wars paid for, wars endured.
There is nothing puzzling ... about America's gratuitously aggressive foreign policy or about the oligarchs' successful efforts to drag the Republic into five wars. What an aggressive foreign policy accomplishes by slow degrees, a state of war accomplishes in a trice. Overnight [war] kills reform, overnight it transforms insurgents into traitors and the Republic into an imperiled realm. Overnight it strangles free politics, distracts and overawes the citizenry. Overnight it blasts public hope.
Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.
'Troy' is an adaptation of the Trojan War myth in its entirety, not 'The Iliad' alone. 'The Iliad' begins with the quarrel between Achilles and Agamemnon over the slave girl Briseis nine years into the war. The equivalent scene occurs halfway through my script.
We defended our allies in Europe for 40 years during the worst days of the Cold War - very threatening days of the Cold War - and nothing happened. So deterrence does work.
We have to realize that this country in its private sector has been fighting the most successful war on poverty the world has seen for the last 200 years.
It is a fallacy to think that carping is the strongest form of criticism: the important work begins after the artist's mistakes have been pointed out, and the reviewer can't put it off indefinitely with sneers, although some neophytes might be tempted to try: "When in doubt, stick out your tongue" is a safe rule that never cost one any readers. But there's nothing strong about it, and it has nothing to do with the real business of criticism, which is to do justice to the best work of one's time, so that nothing gets lost.
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