A Quote by Denis O'Hare

I think it was 1987 - something like that - or '86, and I thought, 'When you go equity and you're gonna get paid, you'll finally be able to make a living.' But it was not to be so. I always bartended and waited tables so I ended up not doing theater for about a year because nobody would hire me.
I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstream theater, you're doing something real.
It just seemed that we always ended up at the Rainbow, to the point where they finally just said, why don't you guys go up into this loft where we'll kind of protect people from coming around and, you know, sitting on the tables. And we thought that was a great idea.
My ambition was to stop waiting tables. That was how I measured success: finally, I was able to stop waiting tables, and I was able to pay the rent, and that was by being a stand-up comic. Not a very good stand-up comic, but good enough to make a living.
I've often thought that it would be great to do some acting because nobody would think that I would be able to do it and it scares the living hell out of me.
There's something nice about being able to go to sleep at night saying "You know, tomorrow I'm gonna get up and I'm gonna do this and I'm gonna do that...." I think that being an activist on this planet is a privilege and a pleasure.
If you're a playwright, unless you're really lacking in get-up-and-go, you can always get your play up somewhere. You can't necessarily make a living doing it, but theater is about meeting an audience. Plays are not easier to write necessarily, they take less time to write. If you get them up, it's a much more rough-and-tumble kind of existence. I think it's, from my perspective, easier than novel writing.
In the first season (of 'Californication'), when we had the threesome with the nipple clamps, I was, like, 'I don't get this, I don't know how you're gonna do it.' And then, all of a sudden, there's a crane with a camera hanging over our heads, and you're, like, 'Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?' And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.
I wasn't that great in sports. I started doing children's theater and loved it. I thought I had a great thing going with musicals. I thought, 'I can do this. It's fun.' I wanted to go for it, and I thought I'd like to make a living doing this.
This is so classic. Government comes along under the guise of fairness, fixes something, gonna make it fair, gonna make it equal, gonna make it affordable, maybe even make it free. What they end up doing is blowing it all to hell, screwing it up worse than it's ever been screwed up, then their voters bellyache and complain about it. And the same Democrats come back and demand that something be done, because their voters need a second chance.
I remember when I got my Equity card doing the Scottish play at the Public Theater with Angela Bassett and Alec Baldwin. Alec thought I should just be Butler Harner, but I thought it would make people laugh if they had to call me Butler.
I have stocked shelves, waited on tables, and bartended. I have been a salesperson at many levels. Each giving me a unique view of what made a company successful and, even more importantly, what made a company fail.
I never did theater. I was a theater major at USC my first year because I didn't get into the film school. I was biding my time, hoping to be accepted to film school, and I ended up transferring to UCLA my sophomore year.
People in New York just go about their business. Maybe living there for a long time, it would get lonely, but there's something really nice about being able to go about your business and not feel like anybody is really paying attention to you or what you're doing.
In terms of theater, I would love to go back to do theater. If I could find something for me to do that fits in with the 'Psych' off-season, I'm game. I would like to do theater where I get to act and dance.
I get a little myopic in the act of doing any writing. I think I'm not as interested or not as able to write about balance, because I think there's something I want to try to get at. I'm trying to get at something about the experience of growing up or about families.
Nobody told me how to sing, so I just thought I'd try and sing like Howlin' Wolf. It was like a bark; there was melody to it - but I would go off a bit and I wouldn't stick AutoTune on it or anything to make it in key. Even now, I couldn't tell you about harmonies. I couldn't tell about what notes I'm singing because nobody taught me to sing.
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