A Quote by Denis O'Hare

For all the import and message of 'The Iliad,' it's ultimately a story that's meant to be heard, and the person hearing 'The Iliad' determines what it means. — © Denis O'Hare
For all the import and message of 'The Iliad,' it's ultimately a story that's meant to be heard, and the person hearing 'The Iliad' determines what it means.
It's hard to write a war story without thinking about the 'Iliad.' Because the 'Iliad' knows everything about war.
The 'Iliad' covered only two months of the great ten-year war with Troy. At least six other epic poems preceded or continued the events in the 'Iliad', but they survive only as fragments.
'Troy' is an adaptation of the Trojan War myth in its entirety, not 'The Iliad' alone. 'The Iliad' begins with the quarrel between Achilles and Agamemnon over the slave girl Briseis nine years into the war. The equivalent scene occurs halfway through my script.
Lastly, this threefold poetry flows from three great sources - The Bible, Homer, Shakespeare.... The Bible before the Iliad, the Iliad before Shakespeare.
I was more worn out with the "Odyssey" than it was with the "Iliad." I mean, just comparing those two - you can see how it's changing, how the language of the "Iliad" is somehow monstrously new - and that language of the "Odyssey" is more comfortable, even for us.
The two greatest works of war mythology in the west ... are the Iliad and the Old Testament... When we turn from the Iliad and Athens to Jerusalem and the Old Testament we find a single-minded single deity with his sympathies forever on one side. And the enemy, accordingly, no matter who it may be, is handled... pretty much as though he were subhuman: not a "Thou" but an "It."
No ancient story, not even Homer's Iliad or Odyssey, has remained as popular through the course of time. The story of Rama appears as old as civilization and has a fresh appeal for every generation.
Fiction has consisted either of placing imaginary characters in a true story, which is the Iliad, or of presenting the story of an individual as having a general historical value, which is the Odyssey.
The Odyssey is, indeed, one of the greatest of all stories, it is the original romance of the West; but the Iliad, though a magnificent poem, is not much of a story.
The Bible is to religion what the Iliad is to poetry
A very great Iliad... concerns the creation of a nation.
Why can't death - if we must have it - be always glorious, as in 'The Iliad?'
The Iliad is the private lives of people thrown into disorder by history.
One can easily classify all works of fiction either as descendants of the Iliad or of the Odyssey.
It doesn't seem to me that anyone has discovered much that's new since the Iliad or the Odyssey.
No particular music makes me feel nostalgic. If it's great, it just keeps me in the present moment. That level of music is like a classic story, like the Iliad-something so perfect it can never be old.
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