A Quote by Denis O'Hare

I've been watching 'Lost' on DVD recently. I keep thinking, 'Where are those actors now?' Nobody knows. — © Denis O'Hare
I've been watching 'Lost' on DVD recently. I keep thinking, 'Where are those actors now?' Nobody knows.
My first few years as TV critic, I would go to parties and people (usually older Posties or ex-Posties who seemed to pride themselves on not watching very much television) would take me by the arm and insist that I watch this show they'd recently starting watching on DVD, about drug dealers in Baltimore.
Our live set's become increasingly complex recently; we've been doing stuff that's been vastly too much information for most people to deal with and I think it's quite interesting watching how people behave in those situations, under those circumstances.
I don't actually have cable. I watch TV, but only shows that I buy on DVD. As a result my TV rage factor is pretty low right now. I do have a real distaste for those extreme makeover shows. I once caught a roommate watching one and proceeded to rant for almost 15 solid minutes about how, in watching that bullshit, she was actively contributing to the destruction of all civilization.
As I've said, basketball has been, I think, a real cooperative venture. There have been a lot of people that have been involved in it: coaches, administrators - not recently - fans and nobody, nobody any more so than students over the years.
I've got the whole of 'Seinfeld' on DVD and I keep on watching the first four series and then stopping.
An indefinable something is to be done, in a way nobody knows how, at a time nobody knows when, that will accomplish nobody knows what.
One of the challenges of the show has always been trying to be surprising, and that was easy to do when nobody was watching it. Now that people have started watching it, they get ahead of us. We've all started really guarding the material, just to make it fun for the audience.
To us, men of the West, a very strange thing happened at the turn of the century; without noticing it, we lost science, or at least the thing that had been called by that name for the last four centuries. What we now have in place of it is something different, radically different, and we don't know what it is. Nobody knows what it is.
Nobody knows what you have in you until you've done it, so I just keep pushing those boundaries, and I figure it will all come out in the wash.
Actors can't retire. If actors retired, there would be nobody left to play old, wrinkly people. You have to keep going, darling - don't you?
I guess my whole thing has always been that nobody knows you except for yourself and nobody knows your story except for you and the people who you care about.
I hear about actors being exterior actors and actors being instinctual actors and I always think it's crap. Anybody who knows anything about it knows that good actors do both - they do inside-outward and they do outside-inward. You can't not do both.
Also watching a movie on DVD is different than watching it in the theater.
When I started analysing games in 2001, I had a DVD recorder. I'd be at home watching the games just on a normal TV, watching what I could and trying to figure out what we would be facing a few weeks later. The problem was, in the team meetings, I'd always have to keep going back and forwards with the footage, trying to get to the right part.
Obviously, once you're finished, you're like, "Okay, I have to make this a movie now, and I need people - bodies to play these parts, and actors to bring this thing beyond a script." But when I was writing it, I wasn't thinking of actors; I was really thinking about creating three-dimensional characters.
I think poetry has lost an awful lot of its muscle because nobody knows any. Nobody has to memorize poetry.
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