A Quote by Denise Di Novi
There were a few before me, there was a generation that started a little bit before me of women producers and Sherry Lansing, she was the first woman studio president, and she was really inspiring to me. I was inspired by other women in other fields, I was an adolescent in the 70s with the second wave feminism, and I got very inspired by that and felt like, you know what, there's no reason why I can't do this.
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I was really blown away and inspired by everything that she [Audrey Hepburn] had done for children via and through UNICEF and I guess it really, really floored me in a way that I hadn't ever felt toward a public figure before. To see her kindness was inspiring and spoke to me as a person. She was so real and so elegant..I am also inspired by what Angelina Jolie is doing by traveling to places like Cambodia to help children by actually being there and being more involved.
When I looked at [Fannie Lou] Hamer and that speech it seemed to me that she had to be the bravest woman ever, to come before that body and to assert her rights, when she knew that she was going lose that battle. But she did it anyway, because she knew she was speaking not just for herself and for that day, but for me, and for all the other young women who were coming behind her. She didn't know our names, but she was working for us. I find that incredibly empowering.
I know there were periods of times where I didn't feel understood, and there were very few people around me that I felt like they really got me. There was one person who was sort of the one in my life that really got me.In general, I felt a little bit on the outside and not totally included. There was a period of time when we were moving around a lot. So I couldn't really hold on to a certain set of friends. And so that was a little bit difficult.
I love Elizabeth Taylor. I'm inspired by her bravery. She has been through so much and she is a survivor. That lady has been through a lot and she's walked out of it on two feet. I identify with her very strongly because of our experiences as child stars. When we first started talking on the phone, she told me she felt as if she had known me for years. I felt the same way.
Long before I started to write in earnest, Lorrie Moore taught me you could have a woman narrator who was funny and complex and even wrongheaded. She opened up a lot of space that me and a million other women rushed into.
I realized that women are still not seen as equal to men. We had a big wave of feminism just before my generation was born. We're still sitting on this wave. There are very militant people and very aggressive women at the top of that wave but I think we have a new version of it now.
I have never had a president who inspired me the way people tell me that my father inspired them. But for the first time, I believe I have found the man who could be that president - not just for me, but for a new generation of Americans.
I inspired a new generation in the same way the previous generation inspired me. I believe that our democracy itself is very inspiring.
When I debuted on the main roster, people just hated me. They were booing me. Social media got to me a bit. They were like, 'She's just there because she's Ric Flair's daughter.' I was like, 'Why doesn't anybody like me?' It really got to me.
Whenever people ask me: 'Why didn't you get up when the bus driver asked you?' I say it felt as though Harriet Tubman's hands were pushing me down on one shoulder and Sojourner Truth's hands were pushing me down on the other shoulder. I felt inspired by these women because my teacher taught us about them in so much detail.
George Washington said, "All I am, I owe to my mother." That's so true. My mom pushed me to get in politics. She pushed me to learn a bunch of languages. She pushed me and inspired me. She is the reason why I'm in politics.
My mom was a housewife, and wasn't somebody that people would think of as a feminist, and when Ms. Magazine came out we were incredibly inspired by it. I used to cut pictures out of it and make posters that said, "Girls can do anything", and stuff like that, and my mom was inspired to work at a basement of a church doing anti-domestic violence work. Then she took me to the Soidarity Day thing, and it was the first time I had ever been in a big crowd of women yelling, and it really made me want to do it forever.
There were a lot of different things [in The Women's Room ]. I don't really want to summarize it in this way. It's about a woman's awakening, a woman who came of age in the '50s and is a teenager - actually, she's a little bit older - in the '60s and part of the women's movement and how she ends up there.
There was some women in a café the other week that I was sat in, and she came up and she sat down with her mate and she was talkin' loudly goin' on about "oh the baby's lovely." They said it's got, er, lovely big eyes, er, really big hands and feet. Now that doesn't sound like a nice baby to me. I felt like sayin' it sounds like a frog. But I thought I don't know her, there's only so much you can say to a stranger. I don't know what kept me from sayin' it.
Ariel got me into animation. She was the first Disney heroine that really felt alive. She felt like a real young woman.
There are many women who came before me who didn't really have the same opportunities that I have had. That's why I always wanted to be a great ambassador - not only today's generation - but for the women who really didn't have a voice, but who paved the way for me.
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