A Quote by Denise Duhamel
Though it does seem like I have written an immense amount of work, over the years I have pushed the pause button. I have poems that I haven't sent out for publication, mostly based on political/social issues.
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I don't know if I even consider myself a very political person. I have always had strong beliefs on important social issues. Politics have politicized social issues, but I don't know if social issues are in fact political. If anything, they are more human issues than they are political issues.
I'd been writing poems for many years, but most of them I didn't like. Then, when I was 23, I wrote one I did like, sent it to 'The Paris Review' - the highest publication I could think of - and they accepted it. No other moment in my literary life has quite come close to that.
I do a certain amount of work in religious communities on these issues. It's not the central focus of my work but it is certainly an area where I have worked a lot. It has gotten much better over the years, especially over the last couple years. There wasn't a religious environmental movement 15 years ago, but there is now - in the Catholic community, the Jewish community, the mainline Protestant community, and in the Evangelical community.
You need an immense amount of luck and an immense amount of perseverance to even be on the playing field for success on a grand scale. You work as hard as you can for ten years so you finally have a chance to be lucky - It's really rare that somebody gets lucky. It's usually a combination of a lot of talent, a lot of hard work. People that get lucky also tend to be really great looking.
I've changed over my writing life. If I can generalize, I would say that the more recent poems - believe it or not - are more pointedly political; although, if the earlier poems were more existential, they were still political; though, in their own way, had a complicated presence.
Death is not complete annihilation. It is a pause. It is like pressing the pause button on a tape recorder.
My sense of politics and justice was deeply shaped in adolescence by my involvement with the underground punk - rock scene, and though lots of social and political issues had come forth in my comics, it wasn't until my late 20s that I felt properly equipped to address certain issues of race, power, and violence in my work.
For instance, it's a little better now than it was two or three years ago, but something like 70% of the poems I receive seem to be written in the present indicative.
I've written 18 books, mostly dealing with issues of social justice, ending racism, feminism, and cultural criticism.
Is political discourse still just shouting opinions about subjective, hot-button issues based on poor understanding and outright ignorance about which agreements can never be reached?
The only continent where social movements have led to political parties that have pushed through serious social and political reforms is in South America.
Now, I'm a failed political consultant. But sometimes fiction has a way of capturing people's imagination in a way that non-fiction doesn't. Conservatives typically haven't written much fiction - specifically political thrillers - over the years to educate, inspire and mobilize people on issues of great import, but we ought to.
I tell women to not make hasty decision based on circumstances on just that moment in time. Press the pause button.
I've always been intrigued with the male characters in novels like 'Pride and Prejudice' such as Mr. Darcy, and this poem is part of a series of poems that explore desire and obsessions. The poems have been sitting in a drawer for a few years, so I decided to dust them off and work on them again since I have not written a new poem in more than three years. I'm not sure anything will become of the series, but at least it gives me something to work on in a period where I feel very uncreative.
Ezra Pound was a crackpot on social and political issues, but he knew what he was talking about in matters of the written language.
Like all her friends, I miss her greatly...But...I am sure there is no case for lamentation...Virginia Woolf got through an immense amount of work, she gave acute pleasure in new ways, she pushed the light of the English language a little further against darkness. Those are facts.
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