A Quote by Denise Levertov
Looking, Walking, Being, I look and look. Looking's a way of being: one becomes, sometimes, a pair of eyes walking. Walking wherever looking takes one. The eyes dig and burrow into the world. They touch, fanfare, howl, madrigal, clamor. World and the past of it, not only visible present, solid and shadow that looks at one looking. And language? Rhythms of echo and interruption? That's a way of breathing. breathing to sustain looking, walking and looking, through the world, in it.
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When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.
If you're looking at things with the right set of eyes, people are endlessly fascinating. And then, of course, if you look at it the wrong way, then the whole world is horrible and tedious and boring. That's the battle, really--to keep looking at the world in the right way.
Being a big black man in China in the mainland, walking down the street, you have everyone looking at you, 'Basketball?' They don't really see a lot of us around, maybe on TV, so they're just looking.
When someone is looking down, they're saying no. When they're looking up, they're looking to their brain for memory. When they look to the left, they're looking for a lie or something they memorized. When they look to the right, they're feeling sorry - they don't want to answer.
We are the eyes of the cosmos. So that in a way, when you look deeply into somebody's eyes, you're looking deep into yourself, and the other person is looking deeply into the same self.
Looking at life through the eyes of a Daddy long legs: Imagine walking on legs so long you could cover a mile in fifty strides! Imagine looking to either side through eyes set not in your head but in a... hump in your back! Imagine your knees, when you walked, working a dozen feet or more above your head.
But the problem with looking back when you should be walking ahead is that you usually end up walking into something that hurts.
If you think God looks only one way or sounds only one way or is only one way, you're going to look right past Me night and day. You'll spend your whole life looking for God and not finding Her. Because you're looking for a Him.
I think that the scienti?c way of looking at the world, and the humanistic way of looking at the world are complementary. There are important differences which should be preserved, and in trying to do away with those differences we would lose something the same way as if we tried to make all religions one religion or all races one race. There is a cultural diversity that's very valuable, and it's valuable to have different ways of looking at the world.
You know the best thing about aeroplanes? Apart from the peanuts in little silver bags, I mean. It's looking out of the windows at the clouds and thinking maybe I could go walking in there. Maybe it's a special place where everything's okay. Sometimes I do go walking in the clouds but it's just cold and wet and empty. But when you look out of a plane it's a special world... and I like it.
It's funny looking at yourself. You know how it is when you look back at old pictures? It's just funny looking back at yourself walking and talking at age 14.
It's funny looking at yourself. You know how it is when you look back at old pictures? It's just funny looking back at yourself walking and talking at age 14
And in more than half the pictures, she isn't looking at the camera; she's looking at him. Not the way I would look at Ben Parish, all squishy around the eyes. She looks at Evan fiercely, like, This here? It's mine
I look at it somewhat as a way - when you learn juggling, what you learn is how to feel with your eyes and see with your hands because you're not looking at your hands, you're looking at where the balls are, or you're looking at the audience.
There's a desire for me in the work, even when I'm looking at the past, to be looking from the present. It's to be here now. It's looking in the present tense.
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