I'm a poetry-skipper myself. I don't like to boast, but I have probably skipped more poetry than any other person of my age and weight in this country - make it any other two persons. This doesn't mean that I hate poetry. I don't feel that strongly about it. It only means that those who wish to communicate with me by means of the written word must do so in prose.
We should awaken feelings of respect for each other. In other words, awaken the desire to kill selfishness.
There are some men whom a staggering emotional shock, so far from making them mental invalids for life, seems, on the other hand, to awaken, to galvanize, to arouse into an almost incredible activity of soul.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
Political poetry is more profoundly emotional than any other-at least as much as love poetry-and cannot be forced because then it becomes vulgar and unacceptable. It is necessary first to pan though all other poetry in order to become a political poet.
The subject of Finnish poetry ought to have a special interest for the Japanese student, if only for the reason that Finnish poetry comes more closely in many respects to Japanese poetry than any other form of Western poetry.
The most painful thing in life is to wake up from a dream and find no way out. Dreamers are fortunate people. If no way out can be seen, the important thing is not to awaken the sleepers.
Most social acts have to be understood in their setting, and lose meaning if isolated. No error in thinking about social facts is more serious than the failure to see their place and function.
Most social acts have to be understood in their setting and lose meaning if isolated... No error in thinking about social facts is more serious than the failure to see their place and function.
The essential thing is to spring forth, to express the bolt of lightning one senses upon contact with a thing. The function of the artist is not to translate an observation but to express the shock of the object on his nature; the shock, with the original reaction.
What's important about poetry in the context of leadership is that most of the time, power has to do with dominance. But poetry is never about dominance. Poetry is powerful but it cannot even aspire to dominate anyone. It means making a connection. That's what it means.
No society can function as a society, unless it gives the individual member social status and function, and unless the decisive social power is legitimate.
Poetry, in the entire course of its development, has always been trying to capture meanings and problems which are still obscure and dormant. Poetry tries to awaken them with a kiss, wherever they may be: in the air, in things, in human beings.
Institutions - government, churches, industries, and the like - have properly no other function than to contribute to human freedom; and in so far as they fail, on the whole, to perform this function, they are wrong and need reconstruction.
Awaken and rejoice. Awaken and be alive. Awaken to the possibility of being fulfilled.
I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path.