A Quote by Denise Mina

I came from this very traditional background and I benefited hugely from feminism. I felt privileged going to university and doing a PhD. Most people of my background don't get to do that.
I don't think that you necessarily need a certain type of background to take on roles. You see actors from very, very privileged backgrounds playing working class characters and vice-versa. I don't think your background limits you as to what you can do.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
Many of the people I've worked with over the years came from a sketch-comedy background or an improv background, and I've learned a lot from them.
What you don't get necessarily at drama school is a gigantic mix of people. At university, there's people from every social background, and you get to go through that period of being naive and not quite sure who you're going to be.
I came from quite a free background living on this small holding farm, getting on my bike and running round the field and going on little adventures and always felt like a very independent person.
But I had a very traditional background as well. My parents are neat people.
I'm ashamed to say that I'm from a very privileged background.
When I was making my debut as an artist, I felt that it was very important that I try to combine the background of my own culture, my people, and the country into the contemporary art world. So that's how I came up with the term 'superflat.'
My background is Protestant so I benefited from the great Bible teaching that was provided there... I did love the more culturally classical things, like Irish music, which I think is some of the most congregational-style music when you think of... 'St. Patrick's Breastplate' (and) 'Danny Boy.' These are traditional Irish melodies. I think being brought up there (Ireland) gave me a sense of melody that is very attuned to congregational singing.
I came from a privileged background, which I am entirely grateful for, but it played a part in my feeling that I couldn't complain about my own emotions.
I didn't come from a traditional background of studying theater and doing Shakespeare.
Some young people can rely on a privileged background and great connections to get work experience, but I don't believe anybody can be guaranteed success nowadays.
I have an art-school background, not a fashion background where it's like, 'Oh, we're going on holiday to Miami.'
Ninety percent of people support background checks. Which means even people who can't pass a background check support background checks.
I'm finding that people reading the book [The Heroin Diaries: A Year In The Life Of A Shattered Rock Star] are saying, "You came from one background, I came from this background - you were a rock star, I was a CEO. I didn't have a heroin/coke problem, but I had a pill problem. But I also fell from grace, didn't know how to get recovery, and I am now in recovery." People tell me that their kids read it and told them they'll never do drugs - "This book really shows me where it goes."
Most Americans think there's already universal background checks. They don't understand why there wouldn't be a background check to purchase a weapon.
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