A Quote by Denise Mina

People are interested in crime fiction when they're quite distanced from crime. People in Darfur are not reading murder mysteries. — © Denise Mina
People are interested in crime fiction when they're quite distanced from crime. People in Darfur are not reading murder mysteries.
I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.
What distinguishes genocide from murder, and even from acts of political murder that claim as many victims, is the intent. The crime is wanting to make a people extinct. The idea is the crime.
The most popular American fiction seems to be about successful people who win, and good crime fiction typically does not explore that world. But honestly, if all crime fiction was quality fiction, it would be taken more seriously.
Once I got interested in organized crime, and, specifically, Jewish organized crime, I got very interested in it. I have learned that, like my narrator Hannah, I'm a crime writer in my own peculiar way. Crime with a capital "C" is the subject that I'm stuck with - even Sway is about "crime" in a certain way. The nice thing about crime is that it enables you to deal with some big questioO
We are not prepared to consider special category status for certain groups of people serving sentences for crime. Crime is crime is crime, it is not political
I think there is a lot of crime caused by desperation, and it doesn't mean that people commit crime because they're poor, but certainly a lot of people who are poor commit crime and they might not if they weren't poor. You understand the difference there? That's not news, but it comes up when I hear people say poverty doesn't affect crime - that crime is still going down in America even though the economy is bad.
I've read crime fiction all my life. A thing that's bothered me about crime fiction is that it's generally about one or two people, but there's not much about society. I want to get away from that particular pattern: a lead, a supporting role and backdrop characters.
I'm most interested in people who've lived life in the extreme, which is what draws me to crime fiction.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
When I was a teenager, I was a voracious reader of crime fiction, but only contemporary books. I was not interested in reading 'The Glass Key' or 'The Maltese Falcon' - stuff that was 40 or 50 years old.
I just really like the verve and muscle of good crime fiction, the narrative punch of it. The underlying principle of good crime fiction is an insistence on a kind of root democracy. I've always responded to that notion.
There is a very conservative element of crime writers that don't recognise what I do is crime fiction.
It seems to me that one of the things that happened with a lot of literary fiction in the 1980s and 1990s was that it became very concerned with the academy and less with how people live their lives. We got to a point where the crime novel stepped into the breach. It was also a time when the crime novel stopped being so metropolitan.
I'm vitally interested in cyber crime and in preparing law enforcement for a time when crime is international in its origins and its consequences.
I'm not at all upset to be considered a crime novelist. But for me, it's never really about the crime or the violence. I'm much more interested in exploring issues.
When a crime is committed, only the victim and the victim's close circle experience the event as pain, terror, death. To people hearing or reading about it, crime is a metaphor, a symbol of the ancient battles fought every day: evil versus good, chaos versus order.
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