A Quote by Denise Richards

She was a Bond girl; she couldn't have been in nerdy. — © Denise Richards
She was a Bond girl; she couldn't have been in nerdy.
I thought Victoria Beckham was going to be one of those pop girls, but she's absolutely the complete opposite. She's a working girl. She knows what she wants. And when she doesn't know, she really prepares herself. I love this working type of women. And she's a girl from - I don't even know where she's from.
I loved 'Welcome to the Dollhouse.' That was one of the most influential movies ever. You know that genre with the nerdy girl, and she redeems herself in the end. Like 'Napoleon Dynamite.' And in 'Welcome to the Dollhouse,' she doesn't. She sucks. It's like, that's what's real. That's what's heartbreaking.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
There are so many reasons to support girls' education. It's one of the single biggest protective factors. When a girl is in school, she has other people who will notice how she's being treated at home. She has other resources in people she can trust. She is part of a community of peers: When girls have friends and bond with one another, they can encourage one another to fight for their rights and learn more, particularly if some families aren't as educated.
A girl has the power to go forward in her life. And she's not only a mother, she's not only a sister, she's not only a wife. But a girl has the - she should have an identity. She should be recognized and she has equal rights as a boy.
She was, in fact, quite a pleasant looking girl, even if her bosom had clearly been intended for a girl two feet taller; but she was not Her. The Egregious Professor of Grammar and Usage would have corrected this to "she was not she," which would have caused the Professor of Logic to spit out his drink.
My daughter [Ariana], she's a sweet, lovely girl, but she doesn't have the drive or the belief in herself. As it says in the film, I get touched up thinking about it, no one can give you a career. You have to have that inner drive. She wants it, but she doesn't know how to go for it, she's too shy. To see her perform and come on stage and feel comfortable, you know, she has talent - that was very touching, very moving, for me. She has a really beautiful sound and voice. She's a young girl still, 26, and innocent. She was kind of sheltered.
Being the only female in what was basically a boys’ club must have been difficult for her. Miraculously, she didn’t compensate by becoming hard or quarrelsome. She was still a girl, a slight lovely girl who lay in bed and ate chocolates, a girl whose hair smelled like hyacinth and whose scarves fluttered jauntily in the breeze. But strange and marvelous as she was, a wisp of silk in a forest of black wool, she was not the fragile creature one would have her seem.
Marilyn was terrible to work with. I was fond of her, she was a nice girl, but she was a damaged girl. She was very difficult. You couldn't get her on the set; she didn't know the words.
I say, 'Yeah, Taylor Swift.' I think she is a smart, beautiful girl. I think she's making all the right moves. She's got a good head on her shoulders. She's surrounded with wonderful people. Her songs are great. She keeps herself anchored. She knows who she is, and she's living and standing by that.
But the thought arrived inside her like a train: Marya Morevna, all in black, here and now, was a point at which all the women she had been met—the Yaichkan and the Leningrader and the chyerti maiden; the girl who saw the birds, and the girl who never did—the woman she was and the woman she might have been and the woman she would always be, forever intersecting and colliding, a thousand birds falling from a thousand oaks, over and over.
If she did see, I hoped she' be amazed. Amazed and thankful, because without even asking, she'd received a genuine autograph from a genuine girl from Atlanta. Not just any girl, but a girl who was, frankly, a pretty big deal. A girl who was me.
One of the most unfortunate things I see when identifying youth players is the girl who is told over the years how great she is. By the time she's a high school freshman, she starts to believe it. By her senior year, she's fizzled out. Then there's her counterpart: the girl waiting in the wings who quietly and with determination decides she's going to make something of herself. Invariably, this humble, hardworking girl is the one who becomes the real player.
Oh my god, Jenny McCarthy is the coolest chick. She's the kind of girl you can play volleyball with and she's diggin' it out in the dirt. She's the girl that's playing softball - not worrying about breaking a nail. She's out there breaking nails and diving at second. And then, she's going to out-drink you at the bar.
Lady Gaga is still a human being, she was still among us! But now, she's a little monster, she says. She does her face a certain way. It's pretty startling. But she's a great girl. She's cool from what I remember.
Wai Lin is the first Bond Girl who is on a par with Bond, someone who can match up with him mentally and physically. From the moment our characters see each other, there is a wariness and a recognition that this person is not who she or he seems to be.
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