A Quote by Dennis Crowley

You know when people leave a job, and they say they didn't know what they came away with after two years? That's how I felt when I first left Google. — © Dennis Crowley
You know when people leave a job, and they say they didn't know what they came away with after two years? That's how I felt when I first left Google.
Once you're finally in a place at Saturday Night Live that you're really comfortable, that's when you should probably be leaving, unfortunately. I think most people stay two or three years longer than they should, because it's very simple, the vacations are great, and you get good at what you do. It's like any job, you're like, "Oh, I know how to do this." You know it's a temporary thing, but it's easy not to walk away from. You find yourself going, "I'll leave next year, or I'll leave the year after." But it's a job you probably shouldn't be at for longer than five years, to be honest.
Well, it has to do with very deep things, because it might be that imagining yourself as a girl is a diminishment. But it is something that when I made "The Devil Wears Prada" it was the first time in my life, 30 years of making movies, that a man came up and said I know how you felt. I know how you felt. I have a job like that. People understand.
It was beautiful and rare, and you have every right to despise me." She stood pressed to the wall, not moving. "When you came in, I thought 'Send her away.' But I knew that if you went away, I'd run after you. I thought 'I won't say a word.' But I knew that you'd know it before you left. I love you. I know you'd think kindlier of me if I said that I hate you.
I left Google after four years of working on Google Maps, search, and Google TV as a product marketing manager. I knew I wanted to do something on my own.
I have had a few rough patches in my life, but these last few years have been among the roughest. A few years ago, I left my job as host of the television show Extra. Our parting of ways was completely amicable; they were amazing to me. I had spent over a quarter of my life at that job, and without it, I felt like I had lost my compass. People didn't know how to introduce me anymore, because in L.A., you are your job.
In all the years when I did not know what to believe in and therefore preferred to leave all beliefs alone, whenever I came to a place where living water welled up, blessedly cold and sweet and pure, from the earth's dark bosom, I felt that after all it must be wrong not to believe in anything.
We know that Google Earth and Google Maps have had a tremendous impact on Google traffic, users, brand, adoption, and advertisers. We also know Google News, for example, which we don't monetize, has had a tremendous impact on searches and on query quality. We know those people search more. Because we've measured it.
Listen to John Coltrane enough and after two bars, just two bars at any place, and you know that's him. We all have signature things that happen to be similar that you can predict and you try to stay away from that except the rhythms: those pauses, they're part of my signature, the part where I know when I say nothing, I already painted enough, led enough and I don't even have to say anything. But those pauses don't belong to me. Jack Benny was one of the first guys in comedy to make the anticipation so great that during the pause people start to laugh before the execution.
My first really big job was an advertorial for Italian Vogue. I cried on set because I didn't know what to do. That was two weeks after being in Milan for the very first time. I think I had one or two test shoots there.
I know I am a human being. I can give myself to one year for a project. That is why I say I'm primitive in the way I work, especially compared to most artists. I came to New York in 1974, knowing that it is the art center of the world. But I didn't go to find people for my work. I do the work, and the people come to me, and I learn from them. That has always been my approach - to do the job first and then to respond to it after I finish and learn what people think about it. That's how I develop, and I'm more of an outsider in that way.
After having seen the job done on that first show of mine, I realized that I felt like I wanted to work again for a short while. Two, three years, then stop.
Could it be? Samantha Kingston? Home? On a Friday?” I roll my eyes. “I don’t know. Did you do a lot of acid in the sixties? Could be a flashback.” “I was two years old in 1960. I came too late for the party.” He leans down and pecks me on the head. I pull away out of habit. “And I’m not even going to ask how you know about acid flashbacks.” “What’s an acid flashback?” Izzy crows. “Nothing,” my dad and I say at the same time, and he smiles at me.
If we think about how long Google spent searching - I think they came around in '98? And, OK, Gmail came in 2004, but it was literally built by one engineer as a 20%-time project. It was probably 10 years before Google started diversifying.
When I was touring with my Vladimir Putin biography, which was published all over the world, people would ask me, How come you're still there, why haven't you left? I would say, I'm staying, it's my home. He can leave! It felt very good to say that. But now - he wins. It's not natural for people in the opposition to leave. It's always a personal catastrophe. And yet he's gotten people out of the country. That's the most terrifying thing about the current situation, and for the future of the country.
It felt like the first thing, but when I first started out, I got a job adapting a book by Russell Banks called 'Rule Of The Bone.' I didn't do a very good job. I didn't really know what I was doing in general, let alone how to adapt a book.
I do remember that when we left [Bernard Leach] after two and a half years, we went home on a boat again - this was before air travel became really easy - and Alix [MacKenzie] turned to me and she said, "You know, that was a great two years of training, but that's not the way we're going to run our pottery."
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