A Quote by Dennis DeYoung
When I'm onstage the joy is to try to be the best I can be, I'm there because I want it to be perfect.
Related Quotes
When you're onstage, it's important to try and feel some type of therapy in getting the material out, because then you don't leave the stage so tired. If you're onstage and you're doing the same routine over and over, then it gets monotonous. You want to be able to try to get to the truth constantly, and I think the more you do that, the easier it is.
People always try to be perfect. That's why they don't start anything. Perfection is the lowest standard in the world. Because if you're trying to be perfect, you know you can't be. So what you really have is a standard you can never achieve. You want to be outstanding, not perfect.
I want to be a female artist who is honest. I want to encourage other girls to be honest with who they are and not try to be picture perfect, because it's a woman's imperfections that make her perfect anyway.
How do I feel when I look back at prior work? Hmmm. I think, 'I tried to do the best I could do. It's not perfect. It will never be perfect.' And then I think, 'I want to try again.'
Women, aren't they perfect? It doesn't matter if they're fat, skinny, blond, or blue. If a woman is willing to give you her love, Harvard, it's the greatest gift in the world. Makes you taller, makes you smarter, makes your teeth shine. Boy-oh-boy women are perfect, perfect joy and perfect ache. Joy when you first meet them and get to know them. Ache when you leave them. Joy. Ache. Joy. Ache. Joyachejoyachejoyachejoyache.
I'm not perfect, I'm not brilliant at everything, I just try my best and I enjoy crafting. If I have something old or broken and I can use it for something else, I get a real joy out of it.
You come out every single day, and you want to be perfect. When I mean 'perfect,' not mean a 'perfect player,' but you want to try to go through practice without drops.
When I say, "I love you," it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman.
What do you want? You can't want to be happy, because that's too easy and too boring. You can't want only to love, because that's impossible. What do you want? You want to justify your life, to live it as intensely as possible. That is at once a trap and a source of ecstasy. Try to be alert to that danger and experience the joy and the adventure of being that woman who is beyond the image reflected in the mirror.
I feel like karma is something that's real. I try and be the best possible person I can be, but not only that I try to help as many people as possible and influence others in a positive manner. And that's all stuff brought on by MMA because I want to be successful so want to be the best possible person.
There is no such thing as happiness. Life bends joy and pain, beauty and ugliness, in such a way that no one may isolate them. No one should want to. Perfect joy, or perfect pain, with no contrasting element to define them, would mean a monotony of consciousness, would mean death
I try to be the best husband I can be, and if people respect that, that's cool. But there's no "perfect husband." We just all try to do the best we can, you know what I mean?
I try to be the best husband I can be, and if people respect that, that's cool. But there's no 'perfect husband.' We just all try to do the best we can, you know what I mean?
Nobody's perfect and I don't want to try and portray that but I'm genuinely doing the best I can out here; trying to support my family the best that I can, trying to make them proud and happy and everybody having the best life they can live. I'm trying to provide a better life for them than I had.
Whenever I'm onstage, I try my best not to think that I'm performing. It's simply another part of my day.
I used to joke that one of the reasons there was a lack of classical work on my CV was because I couldn't operate in those kinds of trousers. Which is a joke, but it's actually also true - if I want to appear in public I want to look my best. If I'm onstage I like to do contemporary work, largely because of the trousers, because of the clothes. I like a decent, what we used to call a lounge suit. Then I can start to motor.
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