A Quote by Dennis DeYoung

Originally, AXS TV came to me last year and asked me if I'd be interested in doing an acoustic 'Live from the Grammy Museum' performance. But I was bound and determined to do an electric show with this great band to dispel any notion that I wasn't a 'rock guy' in Styx.
I'm glad I can do both full-band electric and solo acoustic performances. It's nice to have contrast, so if you get fed up with one, you can just switch to the other one. It's great to go to a town and play an acoustic show, and then you can come back a year later and play electric, and the show's really fairly different. The repertoire will be 50 percent different. The musical energy is completely different.
I'm incredibly proud to bring back 'Tom Green Live' for a third season on AXS TV. AXS TV's commitment to unique, out-of-the-box humor, in a completely open and uncensored format, is unparalleled.
For me, the best thing I can do is play live. The best way for me to put over what I'm trying to do is to play live. Whether it's an acoustic show, electric or whatever... if I shine at all, that's where it all really happens - it just took me a while to rediscover that.
After being replaced in Styx, everyone around me encouraged me to try and stop them legally. I just couldn't. It would have been like suing myself and I held out hope they'd ask me back. They toured under the STYX name for a year and a half before I initiated legal action. I didn't sue for money or use of the name. I simply wanted back in the band.
The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.
It took me a while to get an electric guitar and a bass and amps and stuff. Playing the acoustic guitar was much easier and more affordable. But I was always listening to the radio and was interested in all the rock and pop music.
For my rock band, I was influenced by things like 'The Rocky Horror Picture Show.' For me, it's live rock n' roll theater.
I am an old, old friend of Aaron Sorkin's, who is the executive producer and writer. He had been talking about doing a political show for a long time and I had been interested in it for a long time. The moment I became available, he called me last year and asked me if I wanted to do it and then I just had to audition for the powers that be, and I got it.
Oasis were the last great, traditional rock-n'-roll band. We came along before the Internet so, if you wanted to see us, you had to be there. It makes me feel like a righteous old man.
Oasis were the last great, traditional rock 'n' roll band. We came along before the Internet so, if you wanted to see us, you had to be there. It makes me feel like a righteous old man.
With *NSYNC, we shopped our deal for a year in America, sang a capella in everybody's office, then moved to Germany for almost two years and became popular there. A guy representing a rock band came to our show in Budapest, saw 60,000 people get excited for a band from America that nobody in America knew, and told someone at RCA.
I was interested in the electric guitar even before I knew the difference between electric and acoustic. The electric guitar seemed to be a totally fascinating plank of wood with knobs and switches on it. I just had to have one.
It was 1975. I had spent the year at the Boston Museum School doing some very bizarre performance works. The last one included going to the North Magnetic Pole and spending all of my money.
I used to be a drummer in a band, and I really loved playing the drums, so I look forward to the right opportunity to do that at some point. Maybe even on TV. Every single live performance I'm doing on TV, I want it to be different and unique.
I actually knew Sully's sister, and I was in a band called Stripmind, and then I became roommates with Sully and being out of a band, he asked if I wanted to join in his. Tony was originally the second guitarist in the band; a guy by the name of Lee Richards was the first. The rest is pretty much history.
In a way, as much as we love to be a big, loud rock band, the acoustic album was a lot easier to make than the rock records. I think because it was brand new territory for the band.
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