A Quote by Dennis DeYoung

Styx was always a theatrical band. In fact, we played City Center in 1983 with a rock opera, 'Kilroy Was Here.' — © Dennis DeYoung
Styx was always a theatrical band. In fact, we played City Center in 1983 with a rock opera, 'Kilroy Was Here.'
Kansas has always considered itself a "rock band" - some people might say "symphonic rock band," others might say a "classical rock band," but we've kind've prided ourselves on being a rock band. Kansas rocks.
I was the center on our fraternity team, but I was a center-eligible, so I was known for my ability to go out, and I was pretty sure-handed catching a pass in the flat about ten yards down the field. My father played high school football and was pretty good. He also played center, so I always relished the idea that we both ended up playing center.
Theatrical experience will always be the norm in India. In fact, as a producer and as an actor, I always hope that the magnum opus theatrical experience should always continue.
We've always imagined ourselves as a rock band. We've always been a rock band playing the wrong instruments.
The stage show is, in some sense, highly theatrical. It's definitely not just a band in jeans playing rock and roll.
1983 - Country music had made a resurgence in this country so I joined a country band. I was the only black guy in the band and consequently, usually the only black guy in many of the places where we played.
A rock band with vocals is what I always wanted to be a part of; in fact, it feels very natural for me.
I played in rock bands in college and then right out of college I moved over to Europe and lived in Ireland for about four years playing in indie rock bands. I love and miss being in a band, I still am in a band but pursuing that as a career I definitely missed it but I felt like that ship had sailed.
The misunderstanding out there is that we are a 'hard rock' band or a 'heavy metal' band. We've only ever been a rock n' roll band.
Originally, AXS TV came to me last year and asked me if I'd be interested in doing an acoustic 'Live from the Grammy Museum' performance. But I was bound and determined to do an electric show with this great band to dispel any notion that I wasn't a 'rock guy' in Styx.
My career highs were definitely in 1983 and 1984, because Kajagoogoo's 'Too Shy,' which I co-wrote, went to number one in many countries and was top five in America. However, the band fired me in August 1983, so I was suddenly on my own as Limahl.
I'm a rock singer, but I love soul, I love blues, and I love theatrical stuff, too, like theatrical rock like Queen and Meat Loaf.
The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.
You know, being in a rock band, you can't overdo the costume changes too much because everyone thinks, oh, that's not a real rock band. Look how many times he changes costumes. That's not rock. Rock's about going on in a T-shirt and staying in it and getting it all dirty. But that's not really my approach.
I tell you, it is easier to build a grand opera or a city center than to build a personal house.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
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