A Quote by Dennis DeYoung
I was damn lucky to choose this profession. I had no idea when I started out that I was really an illusionist and a magician.
Related Quotes
I'm incredibly lucky that my profession allows me to be where I choose, really.
I love the idea that I planned my career. I did not. It started out by getting invitations from artists that I really love and respect, to share a stage... I've been very lucky in that I haven't had to create a five-year plan. It's evolved.
Maybe the the luxury of not having acting be my only profession is that I can be more selective about what I choose to be in. I've been really lucky in terms of film projects with people, terrific actors and also writers and directors that I really respect.
It's so hard to get started creatively - it's really hard to get those first ideas out. You just have to do it over and over again, and hopefully better ones start to come. Also, anytime a good idea comes up, for a long time I think, "Oh, my God, that was so lucky that I thought of that idea, whew, I hope that happens again." The more you work at it, the more it happens, but it still feels lucky.
Even though I had been boxing, I had no idea I could beat somebody in the ring. And I had no idea I could really take a punch. When I realized that, I really started taking off.
I'm a really private person. I just love my work. I feel like celebrity has changed so much, in this culture. Ever since they started with those reality shows and people that aren't actors but they're really famous, it's gotten very different from when I started out. So, the idea of ever becoming more than what I had is not really what I want.
There's a theory out there that if you're in a public profession you're fair game. I couldn't disagree with that idea more. Especially with children - half the time they don't choose to be in that profession. For people to objectify other people's lives - kids or not - I find very tedious and tiresome. People who have a craft, that's their job. Their job isn't to create fodder for other people who are bored.
The Illusionist is the storyteller in so many ways. Symbols become his obsession. It's not simply about creating plot - one must also grapple with theme. Nowadays we have a lot of characters and a lot of action but it's hard to sit still and really meditate on meaning, worldviews, concepts, ideologies even. I make my Illusionist do what I've had to do, often with copious amounts of stumbling and frustration. His real humanity comes from being an artist, I think - his creativity is what makes him a man.
Three years into getting 'The Witch' financed, I was hanging out with my brother and he was like, 'I'm working on this script. It's a ghost story in a lighthouse.' I thought, 'Damn, that's a really good idea, I wish I'd had it.'
I started cooking in kitchens right out of high school, and I was lucky to work with a lot of great people, but I had no idea it would turn into this. Of course no one should go into this business because they want to be the next Emeril.
install me in any profession
Save this damn'd profession of writing,
where one needs one's brains all the time.
Once people enjoy what I do, I don't mind if they call me a magician or an illusionist or a hypnotist, entertainer, comedian, whatever people want to call me. I'm comfortable with all of the above, so I don't really mind at all what people want to call me.
I have been incredibly lucky with my novels but I had absolutely no idea if anyone would be interested in a cookbook. So I started to think about self-publishing.
I started out old, but I have to say that I've been very lucky to work consistently since I started. I've really never been out of work.
I think that the line between television and features started to blur a couple years ago. The standards started to become the same, which is that the idea had to be very loud. The show didn't have to be loud; the idea had to be loud. It had to cut through the clutter.
For most of my films, I've had to go out and start shooting before I could get the rest of the funding. That was the case with 'Hoop Dreams,' 'Stevie' and 'The Interrupters:' We started them quietly out of Kartemquin Films, only really going to funders once we had something to show and a firm idea of what the film might be.
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