A Quote by Dennis DeYoung
I just believed in 1979 that prog rock was finished. I just saw the handwriting on the wall. And I believed that if we continued in that direction, our career would be finished. So I kind of led the band to making 'Cornerstone,' which is an album from my point of view which was not trying to be necessarily softer, but more natural.
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Joy Division finished the 1970s on a high. Our debut album, 'Unknown Pleasures,' was doing well; we'd just finished a hugely enjoyable and successful tour. The band's profile was higher than it had ever been, and it seemed to be growing by the day.
Prog-rock and concept records and some ambitious projects were kind of anathema post-punk. They were destroyed with the advent of punk rock. You don't necessarily need to have a degree in music composition to play in a rock band anymore, which is a great thing.
The biggest challenge was trying to convey the story of the making of a film that isn't finished yet - and which won't be finished until the third film, The Return of the King, reaches our cinemas towards the end of 2003!
When I finished Westlife, we had - Louie Walsh is still managing me - I was lucky to have options from different labels such as Sony and Universal. When we met Capitol and Nick Raphael, I just believed in them the most, and it looked like they believed in me the most.
As soon as I finished the first book, I wrote a second, which I hope to sell this year, and I have just about finished the third book in the series. Two more are already outlined. I'm in this for the long haul.
I produced the Buckcherry album and I just finished a band called American Pearl on Wind-Up Records. That's Creed's label. They're pretty rocking. Now I'm looking for another band to produce.
The short film project I just finished for W Hotels and Intel, I didn't have my script finished until a few days before we began filming. We edited it very quickly and now it's up online. It was great to conceive an idea and have it premiere just a few weeks later, compared to a feature, which takes a year or more.
I kept extensions in until I finished high school. Although, once I got to college, that's when it all started to shift. I think it was just growing up and moving to New York, where I saw so many different people, vibes, and looks, and everyone really owned it. That led me to feel more free, take more risks, and go back into my natural hair.
I hear an album so many times during the course of making it that when I've just finished it, I don't want to hear it again. After you've taken a little bit of time away from it, you can come back to it, which can be scary. I'm happy with 'Sonik Kicks,' man.
You don't really know when stand-up material is TV ready; it's just at what point you're willing to let it go and not work on it anymore. I'm not sure there is a point at which you think: 'And that is finished.'
Just as primitive man believed himself to stand face to face with demons and believed that could he but know their names he would become their master, so is contemporary man faced by this incomprehensible, which disorders his calculations.
In a way, I'm kind of a bystander looking at this phenomenon that is ABBA, which is still around, and that I thought would be finished in 1981 and forgotten. I'm amazed how this could happen, and I don't know why it happened. I'm just grateful and humble. I just sit back and enjoy.
I wasn't expecting [the Monk competition] would necessarily do that. So I just did what I did and some good things continued to happen and some doors continued to open and that kind of led me into the different associations that I developed in my 30s and some records that I've made on ArtistShare over the last 10 years or so.
Back in 1985, I was working on my third solo album when the band came to me and asked me to produce the next Fleetwood Mac project. At that point, I put aside my solo work - which was half finished - and committed myself for the next seventeen months to producing 'Tango in the Night.'
I always enjoy watching Derek Jeter play because he is a model of consistency both in the field and at the plate. I finished my career with 3,110 hits, and I have only admiration and respect for Derek. I hope he pauses to admire the view and keeps going. Just one more achievement in an incredible career.
I think, from a progressive point of view, to have a Democratic Congress and a Democratic White House, and to have spent the time on Obamacare, which had real benefits, 20 million insured, but not on inequality, was a major cost to the Democratic Party, costing them their majorities, but also a bit of a cost to the country, because it didn't address the fundamental issues that led to Donald Trump and that led to a lot of unhappiness, just the continued widening inequality.
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