A Quote by Dennis DeYoung
When I went out and started making solo records, I was determined not to, I guess, put my name on an album that sounded like Styx. I wanted to carve my own niche, so quite frankly I went in a different direction.
Related Quotes
I made 'Desert Moon' and when I made those solo albums, I was trying not to be Styx, because I thought, 'That belongs to us.' So, I made different kinds of solo albums that were not dipping my hand back into the magic Styx jar and pulling out all the tricks - because bands, they have tricks, don't they? That's what makes them different.
When I started making my tracks in the style that people call tropical house, I didn't do it on purpose to make it sound tropical. I made whatever I felt sounded good. I just wanted to make my own thing, and then suddenly people started calling it tropical ... I'm like, 'Yeah, that's probably a good name for it.'
After being replaced in Styx, everyone around me encouraged me to try and stop them legally. I just couldn't. It would have been like suing myself and I held out hope they'd ask me back. They toured under the STYX name for a year and a half before I initiated legal action. I didn't sue for money or use of the name. I simply wanted back in the band.
We have to compete in a universe of 200 networks, so we have to carve out our own niche, and to me, that niche is just basic shoe-leather journalism with some good journalists at the helm you can trust as presenters.
I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.
I mean, I knew that one day I'd do something writing-oriented as soon as I started writing. But when I started singing, I was determined to make those two work together, so I just worked at it until I started making stuff that sounded like music.
The only reason why I made solo records was because I got so obsessed with politics, and that is quite personal. I don't really philosophically believe in solo records.
United Bank Card, I picked that name in 1999 because it sounded like an established financial institution, and I was 16 years old in my parents' basement, so I needed a name like that. The moment we started building our own hardware and software and had our point-of-sale capabilities by 2008, that was the last message we wanted to send.
Everyone has a little niche in rap, and I just wanted to carve a piece out of it for myself.
When we first signed to Loud, we had a 20-song demo. So all of those songs we wanted to put on the album. But we started making new ones, and through process of elimination, we wanted all the new ones. We didn't like the old ones no more.
When I was producing the first solo album, i just wanted to convey some messages through it. The message was 'no blood will come out even if I am pinned' However, after trying out different kinds of music activities, I started to change and wanted to convey my real emotion that I have in my everyday life. I want to express the feelings that everyone has felt at least once, in music so I think people will feel/understand my songs.
I walked into Relativity Records as a musician who could not be taken advantage of. That's why I wound up owning all my own publishing and making a deal that was quite advantageous for a new solo artist. But I really didn't think of myself as an entrepreneur.
The whole point was just to be yourself, no matter what that was. You didn't have to fit into a certain punk-rock cliché. Create whatever your compelled to create. People were putting out their own records, and it just seemed natural to put out my own magazine. When I was really young, I started making magazines and little books, just folded-over pieces of typing paper, so when I discovered punk rock, it really blew my mind. I played in bands and stuff, but making my own zines seemed like an inherent part of that scene.
I think it took me until - my twenties were really a time of exploration and experimentation with different groups and different types of music. Then I kind of developed the sound, which first appeared, I guess, on my first solo album 'Englaborn,' which came out in 2001.
I don't know if there are artists out there who love their own records. I haven't met any, and I'm kind of extreme in the other direction, but therein lies the impetus to keep working and keep making new songs and new records.
Rilo Kiley was a rock band, so I wanted my solo records to feel different.
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