A Quote by Dennis DeYoung
Every artist thinks his most recent work is his best. If you didn't feel like that, you wouldn't do anything.
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Every artist is in everything he creates, and indeed if the truth is told, every person is in his life, in his work, whatever his work may be, and this is visible in his face, figure, stance, movement, and totality.
A true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art.
A man's work is in danger of deteriorating when he thinks he has found the one best formula for doing it. If he thinks that, he is likely to feel that all he needs is merely to go on repeating himself . . . so long as a person is searching for better ways of doing his work, he is fairly safe.
An artist does his most difficult work when he steps back from the blank canvas and thinks about what he is going to create.
Leonard [Nimoy] was such a teacher for me. He was one of the most fully realized human beings I have ever known on every level - in his personal life with his personal relationships and his love for his wife and his evolution with his family. Then as an artist, as an actor, as a writer, as a poet, and as a photographer. He never stopped.
Clearly the hardest thing for the working artist is to create his own conception and follow it, unafraid of the strictures it imposes, however rigid these may be... I see it as the clearest evidence of genius when an artist follows his conception, his idea, his principle, so unswervingly that he has this truth of his constantly in his control, never letting go of it even for the sake of his own enjoyment of his work.
Every artist - even if they do Superman, they do Batman, and things like that - they are speaking about his life. Every person, every artist makes his life an artwork.
The critic, to interpret his artist, even to understand his artist, must be able to get into the mind of his artist; he must feel and comprehend the vast pressure of the creative passion.
How should an artist begin to do his work as an artist? I would insist that he begin his work as an artist by setting out to make a work of art.
In order to work and to become an artist one needs love. At least, one who wants sentiment in his work must in the first place feel it himself, and live with his heart
A work of art is a work of order, and if the artist is to put the stamp of his own mind on his work, he must arrange, modify, and dispose of his materials so that they may appear in a more agreeable and beautiful manner than they would have assumed without his interference.
I never believe anything that a lawyer says when he has a wig on his head and a fee in his hand. I prepare myself beforehand to regard it all as mere words, supplied at so much the thousand. I know he'll say whatever he thinks most likely to forward his own views.
The artist seeks contact with his intuitive sense of the gods, but in order to create his work, he cannot stay in this seductive and incorporeal realm. He must return to the material world in order to do his work. It's the artist's responsibility to balance mystical communication and the labor of creation.
I love all of Albert Brooks' work from 'Defending Your Life' back to his first film, 'Real Life', but am sorry that he seems to have lost his edge in his more recent work.
Every boy learns more in his hours of play than in his hours of labor. In school, he lays in the materials of thinking, but in his sports, he actually thinks: he whets his faculties, and he opens his eyes.
Not one of the orthodox ministers dare preach what he thinks if he knows a majority of his congregation think otherwise. He knows that every member of his church stands guard over his brain with a creed, like a club, in his hand. He knows that he is not expected to search after the truth, but that he is employed to defend the creed. Every pulpit is a pillory, in which stands a hired culprit, defending the justice of his own imprisonment.
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