A Quote by Dennis Eckersley
That first year in Chicago was one of the most memorable in my career. Getting traded rejuvenated me, and I had something to prove. I wanted to show them what I could do
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That first year in Chicago was one of the most memorable in my career. Getting traded rejuvenated me, and I had something to prove. I wanted to show them what I could do.
Comedy Central wanted to do a show with me, I had a couple failures under my belt with them already, but they still wanted to try something else. They came to me and said they wanted to do something that was internet focused and created original content on their site, so they could compete with the funny or dies and what not. So that was the premise, and they gave us a small amount of money, $5000, and from there it turned into the show.
It would have been a short career if I had not been traded to Boston. I was rejuvenated in Boston.
After the first time I got traded - I was in the bullpen warming up for a game in Double A, and I got called back in and got traded - that was probably the, like, most crazy it could be. And once I got traded, the next time it got a little easier, and I got traded the next time - it's just part of it.
I've had dreams - there were three things I wanted to do during my career. I did them during my first year of Grand Prix.
I wanted to prove that I could do something, so I made a short film. That was in fact my main concern, to be able to show that I could do one.
I wish I were whole. I wish I could have given you youngs, if you'd wanted them and I could conceive them. I wish I could have told you it killed me when you thought I had been with anyone else. I wish I had spent the last year waking up every night and telling you I loved you. I wish I had mated you properly the evening you came back to me from the dead.
There were times in my career where I could have easily been traded, easily been given up on, and I think me making strides, me making a commitment to myself to come in and get better showed people what I could do each year.
When I first played, I had the belief that I could go out there and win matches but when people saw me first I don't they had the belief. I had to be able to be able to prove, to tell them you can count on me.
Teaching in Providence and Oakland, I realized that the first thing is that it wasn't good enough to come in and assume that I had what my students needed in terms of knowledge and skills. I also had to show them that I was their ally. I had to show them that I was concerned about them, wanted to relate to them, and that I was fundamentally on their side.
I think the audiences in Chicago are really open. They're engaged and eager, and they don't feel cynical to me. Sometimes in New York, there's a sense of, 'Prove it to me; prove this is worth my time.' I never felt that in Chicago.
You have different stages in your career where you have different things to prove. And early on, like most people who move to Nashville, I wanted to prove that I belonged here, that I belonged in this format, that I had a love for it.
There were times in my career where I could have easily been traded, easily been given up on, and I think me making strides, me making a commitment to myself to come in and get better showed people what I could do each year. From there, people started to believe in me, and the organization believed in me, and once that happened, it was on me to take this thing on.
I don't want to prove the Raiders wrong. I just want to prove the Cowboys right. They traded for me, and I'm going to be a good player for them.
I've always had to prove myself to people growing up. I had to show them that I could do this and I could do that and paying no mind to what the critics said.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
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