A Quote by Dennis Edwards

We never do two shows the same way. The audience has a lot to do with that spontaneity, and it's our job to satisfy them. — © Dennis Edwards
We never do two shows the same way. The audience has a lot to do with that spontaneity, and it's our job to satisfy them.
Audience come with expectations, and our job is to engage them for two hours. We take efforts to make the story more interesting and also present it in such a way that it is liked by all the audience.
The way you survive in the performing arts is by having a sense of your audience, and doing things which entertain and satisfy the audience, but in a more important way, cause the audience to question many things.
Our job is not to dictate the policies of our candidates or even influence them but simply to articulate them in the most clear and meaningful way to the relevant audience.
The only two TV shows I saw do that, where they don't warm them up and you can really bomb, was Saturday Night Live - and that's why it gets a lot of heat, too. Obviously it gets criticism fairly, too. But a lot of it is because Lorne [Michaels] lets the audience decide and doesn't force them to laugh.
We're all trapped. It's always 1734. All of us, we're stuck in the same time capsule, the same as those television shows where the same people are marooned on the same desert island for thirty seasons and never age or escape. They just wear more makeup. In a creepy way, those shows are maybe too authentic.
To love women, to love our vaginas, to know them and touch them and be familiar with who we are and what we need. To satisfy ourselves, to teach our lovers to satisfy us, to be present in our vaginas, to speak of them out loud, to speak of their hunger and pain and loneliness and humor, to make them visible so they cannot be ravaged in the dark without great consequence, so that our center, our point, our motor, our dream, is no longer detached, mutilated, numb, broken, invisible, or ashamed.
I feel like I'm never playing the same sized venues within two or three shows. It keeps me and the band fit in a way. It keeps us on our toes just because you don't get used to one size and one energy. It's good to switch it up.
The audience wants something that entertains them, and whether that entertainment is in the form of a physical match or in the form of a skit or video or promo, it's our job to deliver it to them, to the point where the audience becomes the biggest champion of our brand. And if we can't match that, then we're falling short.
I think a lot of managers say that it starts from the front and us as defenders know it helps our job when the front two strikers put that pressure on. If they can do that it makes our job a lot easier.
I never look at twists as a way to trick the audience. Obviously, I think a good story has surprises and unexpected turns, and you always want to do that with an audience. But it has nothing to do with conning them or making them believe so strongly in one thing and then kind of going the other way.
An audience is the perfect thing to unleash venom and hate on. It doesn't necessarily mean you hate everyone in the audience but when you've got a so-called adoring mass in front of you, it's a perfect target for that kind of disgust. Sometimes you find yourself in a position where you're venting your disgust on an audience and a lot of them keep coming back 'cos they actually like that aspect. In a way that diffuses the feeling and you don't gel the same release.
L.A. is not a town that supports a lot of theater. Most of the shows don't get through a week or two and then, the audience kind of disappears.
A magic show and a concert are very similar in the way I like keeping things a mystery and not doing them the same way every time. The listener and the audience never know what's going to happen next.
My mom, she had a challenging job raising three kids on her own and having to work at the same time, you know that shows me a lot. It shows me how hard she worked, how much she cared about us and I want to do the same thing for my kids.
A performance is only as good as the audience you are playing to. A lot of times you feed off of the audience, and we always try to give them all we've got and sometimes you don't get a lot back, but we've never been dead whenever we've performed.
I get a lot of inspiration from the audience feedback to our live shows.
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