A Quote by Dennis Edwards
We always felt that there was some hanky-panky going on with our money. We were the No. 1 group in the world, but we weren't paid like that.
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In defiance of Miss Maccalariat I'd like to commit hanky-panky with you, Miss Adora Belle Dearheart... well, certainly hanky, and possibly panky when we get to know one another better.
My baby does the hanky panky.
9/11 was my first day teaching at Harvard University. My classes were all canceled and I got back to town two days later. I'm one of those people who doesn't think the world has changed any at all since 9/11. It just seemed to be almost inevitable, something like that. That's one of the reasons why the backstory of Fay Grim goes all the way back into the '80s. I was trying to sketch out the continuity of all this hanky-panky between the security agencies of the world.
My first published novel was written for teenagers, and there were rules laid down by the publisher: no sex, no smoking, no swearing. I blew up entire solar systems, I consigned billions of people to horrible death; they didn't seem to mind that at all. But no hanky-panky.
What’s goin’ on?” I ask as I take a seat. “Obviously not this.” He tosses me my shirt from last night. “I found it on the floor of the den. It’s obvious there was some hanky-panky going on.” Okay, so he knows we fooled around. But at least he didn’t find Kiara’s bra on top of my shirt. “Yeah . . . things kinda got a little heated after you and Mrs. W. left the den last night,” I tell him.
For a long time I felt that FDR had developed many thoughts and ideas that were his own to benefit this country, the United States. But, he didn't. Most of his thoughts, his political ammunition, as it were, were carefully manufactured for him in advance by the Council on Foreign Relations - One World Money group. Brilliantly, with great gusto, like a fine piece of artillery, he exploded that prepared "ammunition" in the middle of an unsuspecting target, the American people, and thus paid off and returned his internationalist political support.
On student films, everyone is pitching in to do everything, and I never felt like I was a part of a group before I started acting. I always felt like I had friends in this group and I had friends in that group, but I never felt like I had my group.
My natural state is an outsider, and no matter what group I'm in or where I am, I've always felt like I'm outside the group, and I've always been analyzing the group.
We as outsiders can't differentiate between Sunni and Shi'ah, but leave it to them and they'll get over the difficulty by some kind of hanky panky, just as the Turks did, and for the present it's the only way of getting over it. I don't for a moment doubt that the final authority must be in the hands of the Sunnis, in spite of their numerical inferiority; otherwise you will have a mujtahid-run, theocratic state, which is the very devil.
I'm not quite sure. Probably because "Hanky Panky" and "I Think We're Alone Now" had more to do with it than anything else. For some reason, staccato eighth notes on a bass sounded like bubblegum. Basically, groups like the 1910 Fruitgum Co. took my early format and kind of perverted it, and made these mindless pre-fab hits over and over. In the 60s, anybody who was making commercial music, that is music that didn't have a political slant to it, or wasn't taking drugs, was bubblegum. And that term kind of hung on a lot of people back then, and it's unfortunate.
When it comes to underwear, there's nothing worse than a visible panty line. Sometimes it seems like nobody knows that seamless underwear exists. But Calvin Klein makes them. Commando makes them. Hanky Panky makes them. You don't need a drawer full; a few pairs will suffice.
The Goons were always one of our favourites; we always felt we were in that tradition - Goons, Monty Python, Peter Cook, Vic and Bob, Spike Milligan. We felt we were part of that lineage, but in England, it wasn't happening like that. There was a brand of comedy like 'The Office,' which was very real.
Group events like cricket, football and kabaddi have private leagues, which are all being played for money. There are no such events in athletics. Everything is run by the government bodies, there's less money involved in our game, and we are not even paid as well as people in other sports.
Flawless . . . Tightly choreographed . . . Shipstead gains entry into exclusive worlds and trains her opera glasses on private social rituals, as well as behind-the-scenes hanky panky . . . Similar to classic ballet, the power of Astonish Me arises out of the pairing of a melodramatic storyline with scrupulously executed range of movement . . . Shipstead sweeps you into this insider world of sweat, narcissism, and short-lived magic . . . Transcendent.
I met [Gilda Radner] on the first night of filming ... Hanky Panky that Sidney Poitier was directing. And it's funny, I was in costume and makeup - my tuxedo and makeup because I'd done a few shots before she arrived, and she told me later that she cried all the way in, in the car, because she knew that she was going to fall in love with me and want to get married.
The majority of American writers today have chosen passive non-resistance to things as they are, producing sloughs of poetry about their personal angst and anomie, cascades of short stories and rivers of novels obsessed with the nuances of domestic relationships - suburban hanky-panky - chic boutique shopping mall literary soap opera. When they do speak out on matters of controversy they attack not the evils of our time but fellow writers who may insist on complaining.
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