A Quote by Dennis Edwards
There were a lot of great acts at Motown, and some of them were hard to get along with.
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I often call Daptone the Motown and Stax of today. But in some ways it's different. At Motown, a lot of the musicians didn't get recognized, music got stolen, and people didn't get paid. Or the label would just throw them a pinch of money for their songs. That is one thing we're not doing. Anything anyone writes here, we get a percentage.
One thing I can say about the Motown acts is that we were a family. That's not a myth
One thing I can say about the Motown acts is that we were a family. That's not a myth.
Every Motown act dressed classy, and we were clean-cut. Whenever you saw a Motown act, they were polished, and they knew how to treat people.
When we were first started we were doing a lot of Motown stuff, but actually playing it more in a rock way. Everybody in the band sang and we did a lot of harmonies.
You saw a lot of guys, especially in the early '90s, whose acts were a pitch for a sitcom. A lot of them were very funny, but there's nothing worse than watching comedians or musicians who are up there and are doing something they're not interested in.
In my naïvety, I thought people who were in rock 'n' roll bands were great artists, and it was a huge shock to the system to realise that they weren't, that they didn't even aspire to be, really. Some of them did, maybe, but some of them, like Samson, were very frightened of the idea.
The deliberate and deadly attacks which were carried out yesterday against our country were more than acts of terror. They were acts of war.
Everyone you talk to in the world, whether they know it or not, because the catalog is so vast, a lot of times people have favorite songs that are Motown songs that they didn't even know were Motown songs.
We thought that the odds of things working OK were up in the upper 90 percent or we wouldn't have gone. But the - there were some problems cropped up on the flight but was able to take care of those OK and - although they were things that we hadn't really trained that much for. But it was the time of the Cold War and so there were was a lot of pressure on the - to get going and the Russians were claiming that they were - Soviets were claiming they were ahead of us in technology.
I had some great role models along the way. My on-field heroes were the great Ernie Banks, Billy Williams, and Willie Mays. I wanted to be like them on the field, and I am so damn proud to join them in the Hall of Fame.
When we did a lot of that Motown stuff there were four of us on the front line. When we started the evening we'd start from one end of the band and just go along. The lead singer would change all the time. That's the first time that I actually managed to put it into a record.
I did not think my chances were very big when I saw some of the other men who were competing for the team. They were a good group, and I had a lot of respect for them. But I decided to give it the old school try and to take some of NASA's tests.
At the beginning of the 20th century, before the migration began, 90 percent of all African-Americans were living in the South. By the end of the Great Migration, nearly half of them were living outside the South in the great cities of the North and West. So when this migration began, you had a really small number of people who were living in the North and they were surviving as porters or domestics or preachers - some had risen to levels of professional jobs - but they were, in some ways, protected because they were so small.
When Superman was originally created, by Siegel and Shuster, they were two Jewish immigrants that were desperately trying to assimilate into America. They were having a hard time because they were Jewish. They wanted to get in to mainstream publishing but they couldn't. That's why they, and a lot of Jewish guys, went into comic books.
Later, when I was at Caesar's Palace, and [Joe and Gil Cates] were trying to get me to have opening acts for the show, they gave me a list of people, and Rosie O'Donnell was one of them. I said, "I don't really need any opening acts. I have funny stuff in the show, and I do a lot of comedy and stuff."
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