A Quote by Dennis Franz

I'm not one of these actors who feels a pressing need to direct, and I have no plans to do it. — © Dennis Franz
I'm not one of these actors who feels a pressing need to direct, and I have no plans to do it.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
I stopped doing that [photojournalism] and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money. Even for a cheap movie, you need film stock and equipment and actors.
Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with.
When I'm writing stuff, I need to watch the scene in my head, like a little movie, or else it just feels stupid. It just feels very written. There are things that actors do and faces they make and pauses they take and their rhythms. You need that.
Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with. And then my job is almost done, with a great script, obviously.
To direct actors is difficult. To direct actors in another language is more difficult, but directing non-actors in another language is one of the craziest things that I have done and one of the most rewarding experiences I have had.
I try to direct myself the way I direct the other actors who come on my show.
Because if a woman can only direct women, and men can only direct men, and Black directors can only direct Black actors, then we are missing out on opening up voices to different perspectives.
I think it's all the same animal for me. There are actors who sing, and there are actors who direct, and I also improvise. That's one thing I do as part of my acting. I don't really separate the two.
If love doesn’t triumph, it ought to. For love is the one thing we have that feels more powerful than even death; the only respite from life’s wretched absurdity. The magic of love is not that it contains all the answers, it’s that it eliminates the need for so many pressing questions. For love makes us feel like gods--and that’s what we’re really after, isn’t it?
Well, actors get very frustrated with giving control to other people. They have their own ideas and wants for their characters. Warren Beatty once told me that he thought actors ended up directing out of frustration. If you have a strong sense of how to communicate a film, you should direct. The problem is that it is a huge commitment. I'd rather direct a play than a film due to the time. A movie can tie you up for a year or more.
Television studios bet the farm on reality shows, where they didn't need any actors and movie studios had no plans for any quality movies that required the presence of me.
In this type of cinema, whether working with actors or non-actors, as much as you do direct them, if you allow yourself to be directed by them, then the end result will be much more pleasing. The real and individual strengths of the actors is allowed to be expressed and is something that does affect the audience very deeply.
I like to direct landscapes just as I like to direct actors and animals.
You can't create chemistry. In fact, the chemistry between two actors is for people to see, sense, and judge. The only thing we can do as actors is to come on board individually because we feel the same kind of passion for a script and for a director to cast us because he feels that, as actors, we'll do justice to that part.
There are etiquette things that actors, new actors, need to know about. Because it only takes one mess-up on a set to get fired. Not being where you're supposed to be or saying something to the wrong person that you're not supposed to say, and those are like basic things that the actors need to know.
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