A Quote by Dennis Hopper

'Easy Rider' was never a motorcycle movie to me. A lot of it was about politically what was going on in the country. — © Dennis Hopper
'Easy Rider' was never a motorcycle movie to me. A lot of it was about politically what was going on in the country.
Easy Rider' was never a motorcycle movie to me. A lot of it was about politically what was going on in the country.
I was 22 and had worked on Wall Street for a year, and quit my job. I bought a motorcycle and sort of had this fantasy that I'd go cross-country like 'Easy Rider.' I went from New York to L.A., and on the way back, I stopped in Chicago and saw a friend of mine who was into improv. And I figured it might be fun to give it a shot.
Peter Fonda is the reason I became a motorcyclist. I saw Easy Rider and I bought a motorcycle the next day, and I rode it all the way from LA to San Francisco.
If you take a movie like Easy Rider which everyone counts as the beginning of New Hollywood, that is a big movement. And then, when you really dissect that film and the people that were behind that movie, you realize that it has Roger Corman written all over it. Easy Rider is a hybrid film, taking The Trip and The Wild Angels and making a new explosion. And the people that were making it, guess what, they were all [people who had worked with Roger Corman].
I'm the worst rider. I'm a terrible rider. Me and horses are not a good mix. For some reason, people are always trying to get me on a horse in a movie.
I don't care about going down in history as a great bull rider or bronc rider. I hope people will remember me as a great cowboy.
When I ran for governor, I told all the bikers, "You don't need to worry about me bringing in a helmet law. It's your option because you as a motorcycle rider that's your option. It doesn't come with the bike."
'Easy Rider' and 'The Last Movie' were the only films that I made totally on my own.
[My mother] was taking me to Shakespeare In The Park when I was like 6. There was just a lot of theater-going and a lot of movie-going and a lot of discussion about it afterwards, dissecting it and stuff.
The new generation doesn't know anything about me except for what they saw in' Easy Rider.'
I've had some pretty stimulating conversations about where we are politically as a result of this movie [Snowden], but then there are a lot of questions just about that sensationalism of it.
If someone is going to permit me to make a publication that is politically and culturally progressive and not tell me to put their favorite movie stars on the cover, if I get to do what I want in an honest way - as I did in the beginning at 'Colors' - then I'm going to do it.
A lot of people started asking me about this woman director thing, which I never thought about before. And I'd never really thought about how there aren't really many female directors. I knew it, but I'd never really sat down and thought about the implications of that, and what it meant for a woman to make a movie, and how it's viewed differently when a woman makes a movie about women.
On 'Girl With the Dragon Tattoo,' I spent two or three months learning how to ride a motorcycle. I wasn't really riding the motorcycle in 98 percent of the movie, but the shots of me getting on and off had to look like I had been doing it for years and years.
Peter Fonda was just this clean, cookie-cutter kind of a guy. Roger Corman turned him into the motorcycle man with The Wild Angels. Jack Nicholson, all of them, they all had these images that Roger Corman fueled, and Easy Rider, it was a big surprise to understand how much creative influence Roger had. A lot of people dismiss him as just launching famous people's careers or being a penny pinching producer, but he's so much more than that.
It's easy for me to write a horror movie about real stuff because my mind is always going there anyway.
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